London: Printed for J. Tonson, 1732. [14],[1]-356;[8],218,[12],[215]-351pp. Two volumes. Octavo. Contemporary calf. Engraved title vignettes. Three bookplates in each volume, along with a faint old seminary stamp on each title, scattered foxing, joints a bit worn and cracked (but cords sound); a good set. Second London edition of Berkeley's attempt.....

London: Printed for James, John and Paul Knapton, 1736. [12],x,11-320pp. Large quarto. Modern half calf and marbled boards, raised bands, gilt label. Early ink name ("Thomas Ludlam") on title and transcription from Plutarch on the half-title (to all appearances in the same hand), faint seminary blindstamp in blank lower forecorner.....

Amsterdam: Johann Blaeu, 1650. [24],618,[45]pp. Contemporary vellum over boards, manuscript spine title. Bookplate of Arthur Houghton on front pastedown, 19th century academic ownership inscription on front pastedown, a few scattered early annotations and underscores, moderate scattered foxing, tanning and occasional spotting, bound without binder's endsheets, otherwise a very good copy.....

Copenhagen: Gyldendalske Boghandels Forlag, 1879. Contemporary quarter calf and boards. Extremities worn, narrow crack in upper portion of one joint, some light foxing and modest soiling, but a good to very good copy, bound with the half-title. First edition of one of Ibsen's most successful mid-career plays, translated into English.....