London: The Bodley Head, [1968]. Cloth, stamped in gilt. Frontis and plates. Small blindstamped name in free endsheet, otherwise a near fine copy in faintly edge worn dust jacket with a couple small nicks. First edition. A chapter and more is devoted to Ackerley's service at the Front, his capture.....
[New York]: New Directions, [1996]. 64pp. Gilt cloth. First edition, US clothbound issue, printed in Great Britain. Cloth somewhat humidity speckled, otherwise very good in fine dust jacket.
Florence: Privately Printed for Subscribers by G. Orioli, [1930]. Gilt decorated boards, gilt spine label. Portrait frontis printed by Emery Walker. Plate. Tasteful bookplate on front pastedown, otherwise a fine copy in very good dust jacket (a bit sunned at spine and edges, with an internally mended edge tear). First.....
![Item #WRCLIT85534 THE BOURBONS OF NAPLES (1734 - 1825) [with:] THE LAST BOURBONS OF NAPLES...](https://williamreesecompany.cdn.bibliopolis.com/pictures/WRCLIT85534.jpg?width=320&height=427&fit=bounds&v=1625085606)
London: Methuen & Co., [1956 & 1961]. Two volumes. Large, thick octavos. Gilt lettered blue cloth. Frontispieces and plates. The first volume: spine a trifle cocked, but very good and bright in rather shelf-worn, chipped and creased dust jacket. The second volume: about fine in very faintly edgeworn dust jacket.....
London: Faber and Faber, [1932]. Large octavo. Gilt medium green cloth. Frontis and plates. Spine a shade sunned and slightly cocked, neat bookplate on pastedown, otherwise a very good copy, without dust jacket. First edition. Inscribed on the front free endsheet: "For Anthony Hobson with the warmest regards and best.....
[London]: Methuen, [1950]. Gilt lettered cloth and marbled boards. Illustrations by Feliks Topolski. Small spot on top edge seeping a trace into the fore- edge, tasteful bookplate, spine a trace cocked, but a very good copy, in good, spine- darkened dust jacket with several nicks and a short split at.....
New York: Alfred A. Knopf, 1925. Quarto. Cloth-backed decorated boards, t.e.g., others untrimmed. Color frontis and 49 collotype plates (some in color) with printed tissue interleaves. Edges shelfworn, spine dull, inner hinges cracking, slightly shaken, a few marginal smudges, but a good, internally very good copy. First edition. Introduction by.....
![Item #WRCLIT59978 [ORIGINAL PORTRAIT PHOTOGRAPH OF EDWARD ALBEE]. Edward Albee, Carl Van Vechten](https://williamreesecompany.cdn.bibliopolis.com/pictures/WRCLIT59978.jpg?width=320&height=427&fit=bounds&v=1593712303)
[New York]. 18 April 1961. Original borderless gelatin silver print, 25.3 x 20.5 cm (9 7/8 x 8 7/8 inches). Somewhat amateurishly matted. Small spot on verso, else fine. A striking and characteristic portrait by Van Vechten of the American dramatist, seated, semi-profile, with smile and cigarette, dating from the.....
[New York]: Unmuzzled Ox, [1990]. Volume XIII. Quarto. Pictorial wrapper. Very good or better. First printing in this format, including a reproduction of the signed colophon from the 1979 Money for Food Press first edition. Published as the sole issue UNMUZZLED OX for its year.
New York: Random House, [1974]. Cloth. First U.S. edition. Academic ownership signature on free endsheet, small binding flaw at toe of rear inner hinge, else a good copy, in symmetrically tanned dust jacket.
New York: Horace Liveright, 1928. Cloth. Frontis and plates by the author. A very good to near fine copy, in good-very good dust jacket with some tanning to spine and rear panel, along with shallow losses at the spine ends, a small scrape in the spine panel and two 1.5.....
New York: Simon and Schuster, [1966]. Bright green boards, lettered in black, top- edge stained red. Lower fore-corners bumped, faint offset to endleaves delimited by jacket flaps, else a very good copy in very good, if slightly spine darkened dust jacket with some occasional modest edgewear. First edition of the.....
Hannover: Paul Steegemann Verlag, [1920]. 275,[1]pp. Small octavo. Full stiff vellum, spine lettered in gilt. Vellum a bit soiled and boards bowed, small spot at crown of spine, finger-tip size spot on lower board, otherwise a very good copy. First printing of this translation. One of 100 copies bound thus.....
New York: St. Martin's Press, [1994]. xix,[3],410pp. Paper boards. Introduction. Black & white photographs. Footnotes. Bibliography. First edition of this anthology of gay writing, including some work never before collected in book form. Fine in dust jacket.
London: Constable & Co., [1934]. Blue cloth. Frontispiece by Rex Whistler. Spine cocked, faded and with several pale spots, top edges of boards faded, top and fore-edges a bit spotted and dust-dimmed; just a good, sound copy. First edition of the author's first prose book publication and the first of.....
![Item #WRCLIT87309 [Original Portrait Photograph of Karen Blixen, a.k.a. Isak Dinesen]. Baroness...](https://williamreesecompany.cdn.bibliopolis.com/pictures/WRCLIT87309.jpg?width=320&height=427&fit=bounds&v=1650993067)
[New York]. [13 April 1959]. Original borderless gelatin silver print, 25.5 x 18 cm (10 x 7 1/8 inches). Matted. Old mat mounting tape on verso, otherwise about fine. A striking and characteristic portrait by Van Vechten of the Danish author, most widely known for her 1937 memoir, OUT OF.....
![Item #WRCLIT87536 [Original Portrait Photograph of Karen Blixen, a.k.a. Isak Dinesen]. Baroness...](https://williamreesecompany.cdn.bibliopolis.com/pictures/WRCLIT87536.jpg?width=320&height=427&fit=bounds&v=1655235726)
[New York]. [29 January 1959]. Original borderless gelatin silver print, 25.5 x 19.5 cm (10 x 7 3/4 inches). Matted. Old mat mounting tape on verso, otherwise about fine. A striking and characteristic portrait by Van Vechten of the Danish author, most widely known for her 1937 memoir, OUT OF.....
London: Peter Owen, [1966]. Cloth boards. Fine in lightly rubbed dust jacket. First edition. Inscribed by Jane Bowles to the publisher ("love to Peter from Jane Bowles") on a slip affixed to the free endsheet by Owen. Bowles was, of course, in Tangier on the occasion of publication, and the.....
London: Peter Owen, [ 1965]. Cloth boards. Fine in lightly rubbed and smudged dust jacket. First U.K. edition. Inscribed by Jane Bowles to the publisher ("love to Peter from Jane Bowles") on a slip affixed to the free endsheet by Owen. Bowles was, of course, in Tangier on the occasion.....
New York: Tenth Avenue Editions, [1995]. Oblong octavo. Glossy printed boards. Fine, without dust jacket, as issued. First edition. Inscribed by the poet /editor to Charles Henry Ford and his assistant: "Charles Henri, Indra Hope you'll effort [sic] these effusions, Love, Coby"
![Item #WRCLIT82340 IMOGENE KNODE [caption title]. Olga Broumas](https://williamreesecompany.cdn.bibliopolis.com/pictures/WRCLIT82340.jpg?width=320&height=427&fit=bounds&v=1593713010)
[Np]. 1978. Narrow folio broadside (43.3 x 14.3 cm). Printed in two colors on brown kraft stock. First printing in this format. Very slight rumple toward top edge, otherwise fine. An early publication by the poet.
New York: Harper & Bros. [1952]. Cloth. First edition. Bookplate on pastedown, small ink acquisition inscription on free endsheet, along with three heavy pencil erasures, but a good copy in worn dust jacket with two long tears.
New York: Holt, Rinehart & Winston, [1984]. Large octavo. Cloth. First edition, trade issue. About fine in dust jacket.
New York: Mitchell Kennerley, 1915. Gilt cloth. First edition. Pencil erasure on endsheet, slight fraying at spine ends, fore-tips lightly rubbed, but a good, sound copy in somewhat darkened, but uncommon, dust jacket, split along front flap fold and with a few small chips.
New York: Knopf, 1940. Cloth. First edition. Bookplate of a minor poet, otherwise very good in dust jacket with darkening to front panel.
