London: Secker & Warburg, 1956. Gilt lettered boards. Spine somewhat cocked, but a very good copy in near fine dust jacket. First edition of the author's most widely read work. Poet Roy Fuller's copy, with his ownership signature on the front free endsheet. Laid in are some relevant clippings, including.....

London: Chatto & Windus, 1941. Gilt cloth. Spine cocked, binding a bit darkened and handsoiled, a few spots to the top edge with a bit of bleed to the top edge of the front endsheets, some light foxing and creasing to a few corners, but a good copy, without dust.....

Boston & New York: Houghton, Mifflin and Company, The Riverside Press, Cambridge, 1894. Gilt decorated blue cloth, t.e.g. Spine darkened and a little frayed at extremities, short tear and crease to front free endsheet, else good. With Richard W. Gilder's tiny book label. Revised edition, originally published in MERCEDES, AND.....

New York: Harcourt, Brace and Co., [1941]. x,454pp.plus frontis and 14 plates. Black cloth, lettered in gilt. Endsheets slight tanned, cloth spine and adjacent portion of boards damp-dulled. A good, sound copy, without dust jacket. First edition of this work of economic and social history by the historian and architectural.....

London: Longmans, Green, 1890. Cloth-backed marbled boards. Frontis, illustrations. Binding a bit worn at extremities, as usual, but a good copy. First edition. With a presentation inscription from Guthrie on the first prelim: "Horace N. Pym from Anstey Guthrie. Oct: 1890." With Pym's bookplate.

London & Calcutta: W. H. Allen & Co., 1890. Slate blue pictorial cloth, lettered in gilt and decorated in green, dark blue and dark gray. Spine slightly cocked, some modest rubbing to cloth, front inner hinge cracking at crown, still, a good, sound copy. First edition of this collection of.....

Los Angeles: Sun & Moon Press, [1985 - 1986]. Three volumes. Cloth. Second and third volumes fine in dust jackets, first volume slightly cocked, but near fine in like dust jacket with crease in front flap. First editions, first printings of the second and third volumes, second printing of the.....

New York: Harper & Bros. 1895. Decorated cloth. Illustrated. Cloth a bit soiled, hinges cracked, small bookplate on pastedown. A good copy, enclosed in a half morocco clamshell box of a lesser degree of accomplishment. First edition. Possibly the dedication copy, inscribed beneath the printed dedication to William K. Otis.....

Nashville: Vanderbilt University Press, 1944. Large, thick octavo. Gilt cloth. Spine ends rubbed, front inner hinge cracked, a few marks to cloth, otherwise a near very good, sound copy. First edition of this retrospective anthology partaking of the heritage of THE FUGITIVE, PURSUIT, etc., with an historical introduction by the.....

London: Bradbury, Agnew & Co., [c. 1885]. Pictorial drab wrappers, printed in red and black. Illustrations by Charles Keene. Scattered foxing early and late, small chip and mend at toe of spine, light offsetting to upper wrapper, with some small ink splashes at lower edge; actually, for this book, a......

New York: Random House, [1952]. Cloth. Illustrations by Saul Steinberg. Spine somewhat rubbed, but a good, sound copy, internally very good, without dust jacket. First edition. A very appropriate association copy, inscribed by Behrman to the subject of his 1960 biography: "For Max Beerbohm, whom I have adored for many.....

London: William Jackson (Books) Ltd. / Joiner & Steele, Ltd., 1932. Large octavo. Gilt polished buckram, t.e.g. Frontis by Clare Leighton. Trace of foxing to endsheets, else near fine in torn glassine and paper flap dust jacket. First edition, published as #11 of the Furnival Books. Foreword by Geoffrey West.....

New York: Sloane, [1948]. Cloth. Extremities a bit shelf-rubbed, else a very good copy, in spine faded, modestly chipped and used dust jacket. First edition of Berryman's third solo publication. Inscribed by him to his long- time friend and occasional editor, Catherine Carver: " Catherine John / 10 May 1948.".....