Kingston, NY: Henry Abbey, 1886. v,[1],256pp. Blue cloth, lettered in gilt. Binding a bit dull and rubbed, textblock uniformly tanned at edges; a good, sound copy. "New and Enlarged Edition" (in fact, enlarged by over 100 pages from the 1879 edition). A good association copy, inscribed by the author on.....
New Haven: Ticknor & Fields, 1983. Cloth and boards. First edition. Inscribed by the author to the principal of the publishing house, "who rescued this book, and me...." Fine in dust jacket.
London: Secker & Warburg, 1956. Gilt lettered boards. Spine somewhat cocked, but a very good copy in near fine dust jacket. First edition of the author's most widely read work. Poet Roy Fuller's copy, with his ownership signature on the front free endsheet. Laid in are some relevant clippings, including.....
New York: Harper & Bros. [1950]. Large octavo. Cloth. Extremities a bit rubbed, bump to lower edge of one board; a good copy, without dust jacket. First edition. Inscribed by Ackerman "To Burgess Meredith - 'Toward something bigger' with warmest wishes Nathan." An early collaborative work by the eminent therapist.....
London: Duckworth, [1953]. 80pp. Portrait, plates and facsimile. Cloth. Binding a bit dull at extremities, otherwise a very good copy, without dust jacket. First edition. Prefatory memoir by Alida Monro. An interesting association copy: laid in is Valentine Ackland's engraved calling card, inscribed on the verso to one of her.....
London: Chatto & Windus, 1941. Gilt cloth. Spine cocked, binding a bit darkened and handsoiled, a few spots to the top edge with a bit of bleed to the top edge of the front endsheets, some light foxing and creasing to a few corners, but a good copy, without dust.....
New York: Scribner, 1930. Large octavo. Gilt cloth. First edition (1950 copies printed). Poet / critic Julian Symons's copy, with his ownership signature on the front free endsheet. Spine gilding dull, some dust spotting at top portion of upper cover, some offsetting to endsheets; a good, sound copy, without dust.....
New York: Scribner's, 1931. Large octavo. Cloth. First edition (leaf 37/8 integral, status unknown -- it is a cancel in some copies). One of 1925 copies printed. Poet / critic Julian Symons's copy, with his ownership signature on the front free endsheet. Spine faded, endsheets a bit tanned at gutters.....
New York: Scribner, 1936. Large octavo. Gilt cloth. First edition of the poet's key work (2000 copies printed). Poet / critic Julian Symons's copy, with his ownership signature on the front free endsheet. Spine gilding dull, spine and upper quarter of front cover quite sunned, some offsetting to endsheets; a......
New York & Boston: Duell, Sloan and Pearce / Little, Brown and Company, [1952]. Cloth. A rather used and edgeworn copy, in slightly worn supplied dust jacket. First edition of Aiken's autobiography, a work many regard as his most significant prosework. An inscribed presentation copy from Aiken to the daughter.....
Boston & New York: Houghton, Mifflin and Company, The Riverside Press, Cambridge, 1894. Gilt decorated blue cloth, t.e.g. Spine darkened and a little frayed at extremities, short tear and crease to front free endsheet, else good. With Richard W. Gilder's tiny book label. Revised edition, originally published in MERCEDES, AND.....
New York: Lefebre Gallery, 1970. Pictorial wrappers. Illustrations. First edition of this exhibition catalogue. Profusely illustrated, and with text, by the artist. Enclosed in an envelope postally addressed to Monroe Wheeler, and with Wheeler's further presentation inscription. Fine.
[ Buenos Aires]: BOA, [ 1959]. Small octavo. Printed wrappers. Four illustrations by Clorindo Testa. One of 469 numbered copies, from an edition of 500. Inscribed by the author to St.-John Perse in 1960. Fine.
Cambridge: Harvard, [ 1968]. Cloth. Second printing. Poet/translator Cid Corman's copy, with his ink ownership signature and extensive annotations. Top edge dusty, touch of foxing to endsheets, else near very good in a soiled, lightly worn dust jacket.
London: Bradbury, Agnew & Co., [nd. but ca. 1890]. Small octavo. Tan cloth, lettered in red and black. Illustrated by Linley Sambourne. Binding lightly soiled and rubbed, endsheets foxed, but a good copy. Fourth edition [sic], first published in 1888. An author's presentation copy, inscribed on the half-title: "To Julian.....
![Item #WRCLIT34172 VOCES POPULI [REPRINTED FROM "PUNCH"]... WITH TWENTY ILLUSTRATIONS BY BERNARD...](https://williamreesecompany.cdn.bibliopolis.com/pictures/WRCLIT34172.jpg?width=320&height=427&fit=bounds&v=1593712188)
London: Longmans, Green, 1890. Cloth-backed marbled boards. Frontis, illustrations. Light foxing to prelims, edges and extremities rubbed and worn, but a good copy. First edition. With a presentation inscription from Guthrie: "To Mrs. Horace Pym with the Author's kindest regards Oct: 1895."
Bristol & London: J.W. Arrowsmith Ltd. / Simpkin Marshall [etc], [1920]. 12mo. Original printed boards. Spine torn and mended, inner front hinge cracked, textblock clean and fresh; a poorly bound book, not often seen intact. Third edition, originally published in 1891 under the title, TOURMALIN'S TIME CHEQUES. Inscribed by the.....
![Item #WRCLIT64077 VOCES POPULI [REPRINTED FROM "PUNCH" ] ... WITH TWENTY ILLUSTRATIONS BY...](https://williamreesecompany.cdn.bibliopolis.com/pictures/WRCLIT64077.jpg?width=320&height=427&fit=bounds&v=1593712339)
London: Longmans, Green, 1890. Cloth-backed marbled boards. Frontis, illustrations. Binding a bit worn at extremities, as usual, but a good copy. First edition. With a presentation inscription from Guthrie on the first prelim: "Horace N. Pym from Anstey Guthrie. Oct: 1890." With Pym's bookplate.
![Item #WRCLIT64078 VOCES POPULI [REPRINTED FROM "PUNCH" ] SECOND SERIES ... WITH TWENTY-FIVE...](https://williamreesecompany.cdn.bibliopolis.com/pictures/WRCLIT64078.jpg?width=320&height=427&fit=bounds&v=1593712339)
London: Longmans, Green, 1892. Original parchment backed boards. Frontis, illustrations. Parchment a bit darkened and worn, as usual, foretips shelfworn, light foxing to endleaves, but a good copy. First edition. Presentation copy, inscribed on verso of the free endsheet: "Horace N. Pym Anstey Guthrie." With Pym's bookplate.
New York: Grossman, 1976. Cloth and boards. A few light stains, but a very good copy in dust jacket. First edition of the author's first clothbound book. An interesting regional association copy, inscribed by the author on page 50 next to a long bracketed passage to then fellow Texas-resident novelist.....
London: Hamish Hamilton, [1961]. Cloth. First British edition, translated by Haakon Chevalier. Literary ownership signature on preliminary blank, otherwise fine in lightly nicked and rubbed dust jacket.
Oxford: At the Clarendon Press, [1968]. Large octavo. Gilt cloth. Later impression of the volume denoted as "The Soul," published in the 12 volume standard edition, edited by W.D. Ross. Poet/translator Cid Corman's copy, with his 1973 ownership inscription. Very good in dust jacket.
London & Calcutta: W. H. Allen & Co., 1890. Slate blue pictorial cloth, lettered in gilt and decorated in green, dark blue and dark gray. Spine slightly cocked, some modest rubbing to cloth, front inner hinge cracking at crown, still, a good, sound copy. First edition of this collection of.....
London: Smith, Elder & Co., 1880. Original cloth. Clipped biographical notice pasted to front endsheets, cloth a little worn at edges, some foxing early and late, otherwise a good copy. First edition. Presentation copy, inscribed by the author on the front blank "To William Smith Esq. with thanks & kind.....
[ Paris]: Gallimard, [ 1964]. Small, thick octavo. Printed wrappers. First collective edition, ordinary paper issue, printing "Autour du Théâtre et son Double." Poet/translator Cid Corman's copy, with his ownership inscription and occasional marginalia and comments. Wrappers and edges lightly foxed, else very good, with bellyband and glassine.
