Prints, Graphics & Broadsides
New York: The Print Club, 1979. Folio (46.5 x 33cm). Loose sheets, laid into printed folder, the whole enclosed in folding cloth portfolio with ribbon ties. Small spot of faint dulling to cloth on upper portfolio board, otherwise fine. One of two hundred suites of eight original woodcuts, each printed... More
New York: Shubert Theatre, [1966]. Folio (22 x 14") pictorial stiff board window card, printed on recto only. Shubert filing stamp on verso, union distribution stamp on recto, slight bumps to corners, else near fine. A window card for this very short-lived production (19 previews, 7 performances) of Albee's theatrical... More
[Paris]: Yves Rivière, [1974]. Small folio. Folded sheets, laid into chemise and decorated board slipcase. Illustrations in color by Alechinsky. Slipcase a bit smudged and edgeworn, contents fine. First edition. A facsimile of Caillois's corrected typescript, accompanied by color full-page and in/over text illustrations by Alechinsky. One of a total..... More
New York: Morosco Theatre, [1966]. Folio (22 x 14") pictorial color window card, printed on recto only of stiff card. Fine. An original publicity window card promoting the forthcoming New York opening of Allen's first solo Broadway play, which preceded, and was the basis for, his first book publication a.... More
Berkeley: Black Oak Books, [nd. but ca 1988]. Small folio broadside (31 x 23.5 cm). Printed in red and black on pink stylized rendering of South America. Translated by M.S. Peden. Printed to coincide with a reading by the author at Black Oak Books, More
[Winston-Salem: Shadowy Waters Press, June 1975]. Quarto broadside (26.5 x 20 cm). Illustration by Bob Kirchman. One of 186 numbered copies (of 250) signed by the poet. Old soft diagonal crease; very good or better. More
[ Np: The Artist, nd]. Block print holiday greeting (24.2 x 18.7 cm). In medium brown ink. Some slight creasing and dust tanning at margins, else very good. A characteristic image of Madonna and child, inscribed in pencil in the bottom margin: "Greetings from Maxine & Valenti Angelo." More
[ Np: The Artist, nd]. Lithographed holiday greeting (image size 7.5 x 9.5 cm, on 19.5 x 13.5 cm card), in medium brown ink. Folded across middle, not approaching image, minor crease, else very good. Functionally a greeting card, with signed by Angelo and titled in pencil below the image... More
[Np]: Printed by Harrison Elliott and Valenti Angelo for the Typophiles, [nd]. Folio broadside (41 x 27.2 cm). One of one hundred copies. Heavily creased and folded across middle. Good. More
Washington, DC: War Manpower Commission / GPO, 1942. Oblong folio photolithographed broadside (28 x 40"; 72 x 102 cm). Folded, as issued, Very slight tanning at the folds on the blank verso, but a very near fine, bright, unused example. A WWII home front poster opposing discrimination in the work... More
Paris: [Galerie R. G. Michel], 1993. Original engraving with aquatint (10 x 12 cm, plus margins). Printed as the upper panel on a folded quarto leaflet. Fine. Published as a New Year's greeting for Madame R.G. Michel and family. Signed by the artist in the lower margin. More
Paris: [Galerie R. G. Michel], 1986. Original engraving with aquatint (10 x 10 cm, plus margins). Printed as the upper panel on a folded small quarto leaflet. Fine. Published as a New Year's greeting for Madame R.G. Michel and family. Signed by the artist in the lower margin. More
Morongo Valley, CA: Sagebrush Press, 1981. Quarto. Pictorial boards. Portrait (by Brett Weston) and plates. First edition. One of 475 numbered copies. Selective bibliography of Armitage's designs. Near fine. More
Paris. [1951]. Oblong quarto (16 x 13 cm image area, on 16 x 25 cm sheet). Small thumb smudge in one blank corner, some traces of mounting tape offset on verso. Image fine. Impression #27 of a total edition of 50 copies, numbered and signed by Arp. Although some references... More
[Westport, CT: N.d., but early 20th century]. White draughtsman's ink on charcoal cardstock, matted. 22 x 14" (55.9 x 35.6 cm). Near fine, but mat a trifle dusty. An expert design rendering of a silver elevated cake plate, shown in both frontal view and from overhead, graphically depicted in classic... More
[Westport, CT. N.d., but early 20th century]. White draughtsman's ink, highlighted with a yellow-gold wash, on charcoal cardstock, matted. 11 x 14" (28 x 35.5 cm). Near fine, but the mat is rather soiled. A precise and expert design rendering of a silver coffee pot, sugar & creamer, and silver... More
[Westport, CT. N.d., but early 20th century]. White draughtsman's ink on charcoal cardstock, matted. 15.5 x 10.5" (39.4 x 26.7 cm). Near fine, mat a bit dusty. A design, modeled for a bookend, of a turkey in three-quarter pose viewed from the right in a rest position, feathers unfurled, graphically... More
[Westport, CT: N.d., but early. 20th century]. White draughtsman's ink on charcoal cardstock, matted. 14.75 x 19.75" (37.5 x 50.2 cm). Near fine. A playful design modeled for a bookend, of a turkey viewed from the left with puffed chest and lowered feathers, graphically depicted in classic Art Deco design... More
[New York & Barre]: Pratt Center for Contemporary Printmaking / Barre Publishers, [1969]. Volume IX. Quarto. Cloth and pictorial boards. Illustrations and plates. Near fine, in very good, slightly nicked dust jacket with die- cut window. Edited by Fritz Eichenberg, et al. With two original color prints by Arun Bose... More
[New York]: Artists Equity Association, 1952. [12]pp. plus 99 leaves. Large quarto (305 x 235 mm). Plastic comb bound stiff pictorial card covers. 99 lithographed sheets, printed on rectos only, with color lithographs on rectos and versos of covers. Extreme fore-tips of wrappers a bit creased and soft, plastic comb... More
[ Np: The Artist, ca. 1925]. Original wood engraving, printed on tissue. Images 20 x 14 cm, with large margins. Old mounting tape in extreme upper corners of margin, very faint and soft creasing to tissue, but very good. Copy #21 of an edition of twenty-five copies (plus proofs), titled... More
[London?]. [nd]. Original woodcut, on tissue (15.4 x 10.2 cm plus margins). Old mounting tab discolorations in top corners of margins and a few small ink splashes in lower margin, neither near image or visible through mat, otherwise very good. A bold woodcut, printed in black, of a Rubenesque nude... More
[London: The Artist, January 1930]. Four sequential states of a wood-engraving (6.5 x 8 cm plus margins), printed on tissue. Tipped to stiff paper, then free-mounted in a counter-clockwise manner, and contained in a four window (39.37 x 39.37 cm.) mattboard. Three of the engravings are captioned in pencil, and... More
[Np: The Artist, ca. 1930?]. Two original wood-engravings, printed in black on tissue, images 8 x 10 cm and 10 x 10 cm, with narrow margins, tipped at an early point to two slightly larger sheets. One has two small spots of bleedthrough from the tipping adhesive at the extreme... More
Paris: La Galerie Sagot-Le Garrec, 1981. Original mezzotint (13.5 x 17 cm) plus full margins. Printed as conjugate leaf of a quarto leaflet. Fine. A characteristic work by Avati, an acknowledged master of the manière noir, signed by him in poencil in the lower margin, published as a New Year... More