New York: The Print Club, 1979. Folio (46.5 x 33cm). Loose sheets, laid into printed folder, the whole enclosed in folding cloth portfolio with ribbon ties. Small spot of faint dulling to cloth on upper portfolio board, otherwise fine. One of two hundred suites of eight original woodcuts, each printed... More

[Paris]: Yves Rivière, [1974]. Small folio. Folded sheets, laid into chemise and decorated board slipcase. Illustrations in color by Alechinsky. Slipcase a bit smudged and edgeworn, contents fine. First edition. A facsimile of Caillois's corrected typescript, accompanied by color full-page and in/over text illustrations by Alechinsky. One of a total..... More

Berkeley: Black Oak Books, [nd. but ca 1988]. Small folio broadside (31 x 23.5 cm). Printed in red and black on pink stylized rendering of South America. Translated by M.S. Peden. Printed to coincide with a reading by the author at Black Oak Books, More

[ Np: The Artist, nd]. Block print holiday greeting (24.2 x 18.7 cm). In medium brown ink. Some slight creasing and dust tanning at margins, else very good. A characteristic image of Madonna and child, inscribed in pencil in the bottom margin: "Greetings from Maxine & Valenti Angelo." More

[Np]: Printed by Harrison Elliott and Valenti Angelo for the Typophiles, [nd]. Folio broadside (41 x 27.2 cm). One of one hundred copies. Heavily creased and folded across middle. Good. More

Paris: [Galerie R. G. Michel], 1993. Original engraving with aquatint (10 x 12 cm, plus margins). Printed as the upper panel on a folded quarto leaflet. Fine. Published as a New Year's greeting for Madame R.G. Michel and family. Signed by the artist in the lower margin. More

Morongo Valley, CA: Sagebrush Press, 1981. Quarto. Pictorial boards. Portrait (by Brett Weston) and plates. First edition. One of 475 numbered copies. Selective bibliography of Armitage's designs. Near fine. More

[Westport, CT: N.d., but early 20th century]. White draughtsman's ink on charcoal cardstock, matted. 22 x 14" (55.9 x 35.6 cm). Near fine, but mat a trifle dusty. An expert design rendering of a silver elevated cake plate, shown in both frontal view and from overhead, graphically depicted in classic... More

[Westport, CT. N.d., but early 20th century]. White draughtsman's ink on charcoal cardstock, matted. 15.5 x 10.5" (39.4 x 26.7 cm). Near fine, mat a bit dusty. A design, modeled for a bookend, of a turkey in three-quarter pose viewed from the right in a rest position, feathers unfurled, graphically... More

[New York & Barre]: Pratt Center for Contemporary Printmaking / Barre Publishers, [1969]. Volume IX. Quarto. Cloth and pictorial boards. Illustrations and plates. Near fine, in very good, slightly nicked dust jacket with die- cut window. Edited by Fritz Eichenberg, et al. With two original color prints by Arun Bose... More

[ Np: The Artist, ca. 1925]. Original wood engraving, printed on tissue. Images 20 x 14 cm, with large margins. Old mounting tape in extreme upper corners of margin, very faint and soft creasing to tissue, but very good. Copy #21 of an edition of twenty-five copies (plus proofs), titled... More

[London: The Artist, January 1930]. Four sequential states of a wood-engraving (6.5 x 8 cm plus margins), printed on tissue. Tipped to stiff paper, then free-mounted in a counter-clockwise manner, and contained in a four window (39.37 x 39.37 cm.) mattboard. Three of the engravings are captioned in pencil, and... More

Paris: La Galerie Sagot-Le Garrec, 1981. Original mezzotint (13.5 x 17 cm) plus full margins. Printed as conjugate leaf of a quarto leaflet. Fine. A characteristic work by Avati, an acknowledged master of the manière noir, signed by him in poencil in the lower margin, published as a New Year... More