New York: The Print Club, 1979. Folio (46.5 x 33cm). Loose sheets, laid into printed folder, the whole enclosed in folding cloth portfolio with ribbon ties. Small spot of faint dulling to cloth on upper portfolio board, otherwise fine. One of two hundred suites of eight original woodcuts, each printed...

[Paris]: Yves Rivière, [1974]. Small folio. Folded sheets, laid into chemise and decorated board slipcase. Illustrations in color by Alechinsky. Slipcase a bit smudged and edgeworn, contents fine. First edition. A facsimile of Caillois's corrected typescript, accompanied by color full-page and in/over text illustrations by Alechinsky. One of a total.....

Berkeley: Black Oak Books, [nd. but ca 1988]. Small folio broadside (31 x 23.5 cm). Printed in red and black on pink stylized rendering of South America. Translated by M.S. Peden. Printed to coincide with a reading by the author at Black Oak Books,

[ Np: The Artist, nd]. Block print holiday greeting (24.2 x 18.7 cm). In medium brown ink. Some slight creasing and dust tanning at margins, else very good. A characteristic image of Madonna and child, inscribed in pencil in the bottom margin: "Greetings from Maxine & Valenti Angelo."

[Np]: Printed by Harrison Elliott and Valenti Angelo for the Typophiles, [nd]. Folio broadside (41 x 27.2 cm). One of one hundred copies. Heavily creased and folded across middle. Good.

Paris: [Galerie R. G. Michel], 1986. Original engraving with aquatint (10 x 10 cm, plus margins). Printed as the upper panel on a folded small quarto leaflet. Fine. Published as a New Year's greeting for Madame R.G. Michel and family. Signed by the artist in the lower margin.

Paris. [1951]. Oblong quarto (16 x 13 cm image area, on 16 x 25 cm sheet). Small thumb smudge in one blank corner, some traces of mounting tape offset on verso. Image fine. Impression #27 of a total edition of 50 copies, numbered and signed by Arp. Although some references...

[Westport, CT. N.d., but early 20th century]. White draughtsman's ink, highlighted with a yellow-gold wash, on charcoal cardstock, matted. 11 x 14" (28 x 35.5 cm). Near fine, but the mat is rather soiled. A precise and expert design rendering of a silver coffee pot, sugar & creamer, and silver...

[Westport, CT: N.d., but early. 20th century]. White draughtsman's ink on charcoal cardstock, matted. 14.75 x 19.75" (37.5 x 50.2 cm). Near fine. A playful design modeled for a bookend, of a turkey viewed from the left with puffed chest and lowered feathers, graphically depicted in classic Art Deco design...

[New York]: Artists Equity Association, 1952. [12]pp. plus 99 leaves. Large quarto (305 x 235 mm). Plastic comb bound stiff pictorial card covers. 99 lithographed sheets, printed on rectos only, with color lithographs on rectos and versos of covers. Extreme fore-tips of wrappers a bit creased and soft, plastic comb...

[Np: The Artist, ca. 1925]. Original wood engraving, printed on tissue. Images 20 x 14 cm, with large margins. Old mounting tape in extreme upper corners of margin, very faint and soft creasing to tissue, but very good. Copy #21 of an edition of twenty-five copies (plus proofs), titled and...

[Np: The Artist, ca. 1930?]. Two original wood-engravings, printed in black on tissue, images 8 x 10 cm and 10 x 10 cm, with narrow margins, tipped at an early point to two slightly larger sheets. One has two small spots of bleedthrough from the tipping adhesive at the extreme...

Paris: La Galerie Sagot-Le Garrec, 1981. Original mezzotint (13.5 x 17 cm) plus full margins. Printed as conjugate leaf of a quarto leaflet. Fine. A characteristic work by Avati, an acknowledged master of the manière noir, signed by him in poencil in the lower margin, published as a New Year...