New York: The Print Club, 1979. Folio (46.5 x 33cm). Loose sheets, laid into printed folder, the whole enclosed in folding cloth portfolio with ribbon ties. Small spot of faint dulling to cloth on upper portfolio board, otherwise fine. One of two hundred suites of eight original woodcuts, each printed.....

[Paris]: Yves Rivière, [1974]. Small folio. Folded sheets, laid into chemise and decorated board slipcase. Illustrations in color by Alechinsky. Slipcase a bit smudged and edgeworn, contents fine. First edition. A facsimile of Caillois's corrected typescript, accompanied by color full-page and in/over text illustrations by Alechinsky. One of a total.....

[N.p.]: 1949. Small folio broadside (32 x 23.5 cm). Printed in red, black and shades of blue. Paper clip impression in lower edge a few corner creases, very good. First printing in this format, illustrated and printed by Angelo in an edition of 500 copies for distribution as a holiday.....

Paris: [Galerie R. G. Michel], 1993. Original engraving with aquatint (10 x 12 cm, plus margins). Printed as the upper panel on a folded quarto leaflet. Fine. Published as a New Year's greeting for Madame R.G. Michel and family. Signed by the artist in the lower margin.

Paris. [1951]. Oblong quarto (16 x 13 cm image area, on 16 x 25 cm sheet). Small thumb smudge in one blank corner, some traces of mounting tape offset on verso. Image fine. Impression #27 of a total edition of 50 copies, numbered and signed by Arp. Although some references.....

[Westport, CT: N.d., but early 20th century]. White draughtsman's ink on charcoal cardstock, matted. 22 x 14" (55.9 x 35.6 cm). Near fine, but mat a trifle dusty. An expert design rendering of a silver elevated cake plate, shown in both frontal view and from overhead, graphically depicted in classic.....

[Westport, CT. N.d., but early 20th century]. White draughtsman's ink on charcoal cardstock, matted. 15.5 x 10.5" (39.4 x 26.7 cm). Near fine, mat a bit dusty. A design, modeled for a bookend, of a turkey in three-quarter pose viewed from the right in a rest position, feathers unfurled, graphically.....

[New York]: Artists Equity Association, 1952. [12]pp. plus 99 leaves. Large quarto (305 x 235 mm). Plastic comb bound stiff pictorial card covers. 99 lithographed sheets, printed on rectos only, with color lithographs on rectos and versos of covers. Extreme fore-tips of wrappers a bit creased and soft, plastic comb.....

[Np: The Artist, ca. 1925]. Original wood engraving, printed on tissue. Images 20 x 14 cm, with large margins. Old mounting tape in extreme upper corners of margin, very faint and soft creasing to tissue, but very good. Copy #21 of an edition of twenty-five copies (plus proofs), titled and.....

[Np: The Artist, nd]. Original wood-engraving (14.7 x 9.7 cm plus margins), printed in black on tissue, tipped onto a larger sheet of wove paper with wide margins. A small amount of the fixative glue is visible at the tipping points, else about fine, in oversize mat. A family group.....

Paris: La Galerie Sagot-Le Garrec, 1981. Original mezzotint (13.5 x 17 cm) plus full margins. Printed as conjugate leaf of a quarto leaflet. Fine. A characteristic work by Avati, an acknowledged master of the manière noir, signed by him in poencil in the lower margin, published as a New Year.....

Philadelphia: The Pickering Press, [ca. 1947]. Broadside, 12 1/4 x 10 1/2 inches. Slight bump at lower edge and faint tanning, otherwise near fine. First separate edition. Handset in Cloister Oldstyle at the Golden Hind Press and printed by the Pickering Press. A handsome ephemeron.

[Paris: No Imprint, 1978]. 12mo (11.5 x 8.7 cm). Stiff printed wrappers. Illustrated with an original colored engraving by Julius Baltazar. Light offset from engraving to facing pages, otherwise fine. First edition. One of only thirty-five numbered copies printed on vélin d'Arches, signed by the author and the artist.