New York: Stone & Kimball, 1897. Pictorial green cloth, lettered and ruled in gilt, t.e.g., others untrimmed. A very good copy, closer to near fine. First U.S. edition of this popular novel of reincarnation. Published in the same month as the UK edition.
Boston: Copeland and Day, 1895. Small octavo. Cream paper over boards, with stylized orchid device by F.C. Gordon stamped in black. Some wear at extremities, with small chip and hairline crack near and parallel to lower joint; just a good copy of this fragile book, internally about fine. Half morocco.....
Chicago & New York: Herbert S. Stone & Company, 1898. Pictorial slate cloth, stamped in white, red and yellow, t.e.g., others untrimmed. Small booklabel residue mark in corner of front pastedown, otherwise very near fine. First U.S. edition, published within days of the UK edition. The binding design is by.....
Chicago: Herbert S. Stone & Company, 1904. Medium brown cloth, with pictorial stamping in white, blue-gray and black, t.e.g., others untrimmed. Light flaking to spine stamping, otherwise a very good copy. First edition. Inscribed by the author in the year of publication: "Hamlet's doubt ne'er puzzled me. The first book.....
Chicago & New York: Herbert S. Stone & Co., 1900. Green cloth, stamped in red, fore and bottom edges untrimmed. First edition of the author's first book, here in the remainder binding. Spine ends worn, a bit dull, pencil erasures from endsheets, small production flaw in gutter of first signature;.....
Chicago: Printed for Herbert S. Stone & Co., 1896. Small octavo. Medium green cloth, decorated in darker green, t.e.g., others untrimmed. Ink name on endsheet, some foxing early and late, spine and edges a bit darkened, with mild flecking along edges of cloth; a good, sound copy. First U.S. edition.....
Chicago: Stone & Kimball, 1895. Small octavo. Tan cloth, with elaborate decorative side-panels in green and black, t.e.g., others untrimmed. Neat bookplate on pastedown, a few pencil notes, otherwise a very good or better copy. First U.S. edition, preceding the UK edition published in 1896 under the title MADGE O'.....
Chicago: Stone & Kimball, 1895. [6],289pp. Folded and gathered signatures, largely untrimmed, and never bound. Minor tanning to outer leaves, but about fine. Cloth slipcase and chemise. First U.S. edition, published roughly simultaneously with the Edinburgh edition. Published in "The Carnation Series."
Chicago: Stone & Kimball, 1894. Pictorial green cloth, after a design by T.B. Meteyard, t.e.g. First edition, first printing, preceding the British edition. Ink name, covers a bit rubbed and spotted, but a good, sound copy, internally quite nice.
Chicago: Stone & Kimball, 1894. Pictorial green cloth, after a design by T.B. Meteyard, t.e.g., others untrimmed. First edition, first printing, preceding the British edition. Ink name effaced from endsheet, with ownership label pasted over, spine ends a bit rubbed, but a good copy, internally very good.
Chicago: Stone & Kimball, 1895. Three quarter pebbled morocco, t.e.g., original cloth covers bound in. First American trade edition, preceded by a copyright issue prepared from the periodical printing. Bookplate, joints a bit worn, sideboards lightly soiled, otherwise a nice copy.
Chicago: [ Printed on behalf of Stone & Kimball], 1895. Gilt lettered boards, fore and bottom edges untrimmed. Portrait. Offset on endsheets from wrapper flaps, otherwise exceptionally fine in tissue wrapper. First edition of this tribute to the librarian/bibliographer, including a bibliography of his published writings. Reprinted from the Minutes.....
Chicago: Herbert S. Stone & Company, 1896. xiii,[1],122,[1]pp. Small octavo. Folded, untrimmed, unopened signatures. Publisher's device on title. A bit of foxing early and late, but very good. Custom cloth slipcase and chemise. First edition of the first appearance of a book-length work by D'Annunzio in English, translated by Myrta.....
Chicago: Way & Williams, 1898. Small octavo. Pictorial wrappers. Moderate tidemark to fore-edges of upper and lower wrapper, but internally fine. First edition of this early collaboration by Rice, a prolific Chicago poet, editor and critic and important second tier figure in the Chicago literary renaissance. Inscribed and signed by.....
