THE UNCLE.
Boston: Houghton, 1962. Cloth. Very good in dust jacket. First edition of the author's second book, the source for the 1965 UK film adaptation, based on her own screenplay.
Boston: Houghton, 1962. Cloth. Very good in dust jacket. First edition of the author's second book, the source for the 1965 UK film adaptation, based on her own screenplay.
London: Harrap & Co., [1942]. Publisher's three-quarter blue morocco and cloth, raised bands, t.e.g. Traces of foxing, some light rubbing to side panels, but a very good or better copy. First edition, limited issue. One of one hundred numbered copies, specially bound, and signed by Agate and Sitwell.
Paris. Mai 1951. Whole number 2 (of 6 published?). Oblong octavo. Pictorial wrappers. Stills and illustrations. White wrappers very slightly foxed, but a very good copy, with the prospectus laid in. Edited by Robert Benayoun, et al. The first issue appeared in March, and OCLC suggests that the sixth issue.....
[ Np]: Paman Productions Inc. - Paramount Pictures Corp. 5 September 1962. [1],197 leaves. Quarto. Mimeographed typescript, printed on rectos only. Bradbound in titled stiff paper binder. Binder sunned and lightly used at overlap edges, a few related pencil notes on verso of last leaf, fore-margin of one leaf a......
[Los Angeles]: Paramount, 1963. Eleven 8 x 10" glossy black and white stills with studio captions. Near fine. A good representative set of lobby stills promoting the film, based on Philip Reisman, Jr.'s screenplay adaptation of two Pulitzer- winning literary properties, Agee's 1957 novel, A DEATH IN THE FAMILY, and.....
Los Angeles: Oceanic Productions, [ca. 1953]. [1],154 leaves. Quarto. Mimeographed closely typed typescript, on green-tinted paper. Bradbound in production company wrapper. Upper wrapper worn and moderately soiled, and detached at upper brad, internally about fine. Copy #16 of an unidentified draft of this unproduced collaborative original screenplay based on the.....
New York: McDowell Obolensky, [ 1960]. Large, thick octavo. Cloth, spine gilt. First edition. Touch of fading to the bottom edge, light scuff mark to bottom of text block, else very good in a rubbed dust jacket with some chipping to the edges and a couple of small closed tears.....
[Np]: Mascot Pictures, [1934]. Original 11 x 14" color studio lobby card. One blank corner cracked and repaired, one small, shallow marginal chip. old small label on verso, but very good. A promotional lobby card for Nat Levine's production, directed by Phil Rosen, based on a screenplay adaptation of Alcott's.....
[New York]: RKO Radio Pictures, [1940]. Original 11 x 14" studio lobby title card. Margins smudged, two closed tears at extreme edges repaired on blank verso, vestiges of cellotape on left and right margins from previous mounting and a circular mark and pinhole in lower left margin, also apparently from.....
Boston: Roberts Bros. 1871. [8],376pp. Small octavo. Forest green cloth, lettered in gilt. Frontis and 3 plates. Two corner creases to free endsheets, spine extremities and fore-tips a bit frayed, one signature starting very slightly; a few stray marks to cloth, but a good copy. First U.S. edition, preceded by.....
[Cincinnati]: [Printed by Hennegan for:] RKO Radio Pictures, [1933]. [4]pp. Color pictorial folding herald (17 x 13.5 cm folded). About fine. An uncommon and striking pictorial herald for the 1933 film adaptation of LITTLE WOMEN, produced by Merian C. Cooper. directed by George Cukor, starring Katharine Hepburn, Joan Bennett, Edna.....
[Munich]: Illustriete Film-Bühne, [March 1956]. [4]pp. Small quarto. Pictorial self-wrapper. Illustrated. Near fine. The issue of ILLUSTRIETE FILM-BÜHNE (Nr. 3192) associated with the German release of the Otto Preminger production of Walter Newman and Lewis Meltzer's 1955 film adaptation of Algren's novel, starring Frank Sinatra and Kim Novak.
[Copenhagen, Denmark]: United Artists, [1955]. [12]pp. 12mo. Pictorial wrappers (with upper wrapper adapted from Saul Bass's design). Photographs. Near fine. A program attending the Danish release of the 1955 film adaptation of THE MAN WITH THE GOLDEN ARM, starring Frank Sinatra, Eleanor Parker and Kim Novak. The program includes text.....
[Los Angeles]: Columbia Pictures Corp, 1962. Seven 11 x 14 color studio lobby cards. A couple minor corner creases, one card has a very slight color register flaw in the upper margin, otherwise fine. A set of seven of the eight lobby cards issued to promote John Fante's adaptation to.....
[Los Angeles]: Columbia Pictures Corp, 1962. Eight vintage 8x10" glossy b&w stills, with captions. Some slight toning, one has a theatre stamp on the verso, anther has a title i.d. in the margin, but generally very good. A selection of the publicity stills issued to promote John Fante's adaptation to.....
Garden City: Doubleday, 1949. Cloth. Spine a bit cocked, very slight tanning at edges, but a very good copy in faintly smudged dust jacket with a few small nicks and the price intact. First edition of Algren's NBA winning fourth book, the source work for the 1955 Preminger film adaptation.....
New York: Farrar, [ 1956]. Cloth and boards. First edition. Light foxing to spine and endleaves, boards darkened at edges, just a good, sound copy in dust jacket (old internal mends at toe of spine).
New York: Farrar, Straus and Cudahy, [ 1956]. Cloth and boards. First edition. Signed by the author on the front free endsheet in a relatively early hand. Board edges a trace sunned, a few finger smudges to fore-edge, else a very nice copy in dust jacket (faint darkening to white.....
[Los Angeles]: Paramount Pictures / APJAC Productions, nd. but no earlier than 27 September 1971]. [1],120 leaves. Quarto. Mechanically reproduced typescript, printed on rectos only of white, salmon, and green stock. Bradbound in printed studio wrappers. Ink name on upper wrapper, a few notes on title and scattered in text;.....
[Los Angeles]: Twentieth Century-Fox / APJAC Productions, [nd. but no earlier than 15 February 1971]. [1],108 leaves. Quarto. Mechanically reproduced typescript, printed on rectos only of pale blue-green stock. Bradbound in printed studio wrappers. Ink squiggle on upper wrapper, with some darkening along top edge of same, some use to.....
Beverly Hills: William Morris Agency [rep], [nd]. [1],85 leaves. Quarto. Mechanically reproduced typescript, printed on rectos only. Bradbound in WM agency wrappers. A couple staple marks and ink name on upper wrapper, part of 'Alice' highlighted in yellow, else very good. An undated, unspecified draft of this original screenplay by.....
New York, etc: Harvest / Harcourt, [2007]. Pictorial wrappers. Uncorrected page proof of the first edition. Black & white halftones. A bit rumpled and dusty at some edges, else very good. The author follows the making of a Bollywood version of Othello.
[Np]: United Artists, 1976. Eight 8 x 10" color pictorial mini-lobby cards, with captions. Canadian distributor's stamp on a few versos, otherwise fine and unused. A complete set of the mini-lobby cards distributed to promote Altman's controversial 1976 send-up of Buffalo Bill, the myth of the West, and the entertainment.....
[Los Angeles]: Warner Bros. [1944]. Vintage 11 x 14" pictorial color lobby card. Snagged marginal pinhole in center top, with tear barely touching the top edge of the image, otherwise a very good, bright example. One of the set of lobby cards issued to promote this film adaptation of Eric.....
[Los Angeles]: United Artists, [1954]. 16 pp. Folio, (17 X 11 inches). Highly pictorial self-wrappers Heavily illustrated. Folded, with clean partial splits to spine, else very good. A pressbook for the US distribution of Eric Ambler's adaptation to the screen of H. E. Bates's 1947 novel. Directed by Robert Parrish.....