New York: Shubert Theatre, [1966]. Folio (22 x 14") pictorial stiff board window card, printed on recto only. Shubert filing stamp on verso, union distribution stamp on recto, slight bumps to corners, else near fine. A window card for this very short-lived production (19 previews, 7 performances) of Albee's theatrical.....

[Los Angeles]: Paramount Pictures / APJAC Productions, nd. but no earlier than 27 September 1971]. [1],120 leaves. Quarto. Mechanically reproduced typescript, printed on rectos only of white, salmon, and green stock. Bradbound in printed studio wrappers. Ink name on upper wrapper, a few notes on title and scattered in text;.....

New York: Morosco Theatre, [1966]. Folio (22 x 14") pictorial color window card, printed on recto only of stiff card. Fine. An original publicity window card promoting the forthcoming New York opening of Allen's first solo Broadway play, which preceded, and was the basis for, his first book publication a......

New York: Gilbert Cates, July 1975. [1],93 leaves. Quarto. Photomechanically reproduced typescript, printed on rectos only. Bradbound in unlettered script binder. Some tanning at edges of binder, title lettered across lower edge; very good. A late form of script for Anderson's 1965 play, here associated with distinguished producer and director.....

New York: Brentano's, [1922]. Folio. Full vellum over boards, lettered in brown. Illustrated with sixty-eight plates (52 of them colored), and numerous illustrations in text, colored and monochrome. Vellum somewhat bowed, as usual, ink name on pastedown, bookplates (including that of one Margaret Sanger appearing on each pastedown), lower board.....

[Np]: Gene Perrson Enterprises / Continental Distributing Co., 1967. Original folio one sheet (41 x 27 inches; 104 x 69 cm). Folded, as issued. Printed in black, white and grayscale. Usual filing stamps on blank verso, along with pencil and ballpoint dates for showings, multiple staple holes in corners from.....

London: Labour Publishing Co., [ 1926]. Printed wrappers, sewn. Faint tan offsetting from wrappers to facing leaves, as often, otherwise a fine copy. First edition of the author's first formally published book, published in the "Plays for the People Series." Signed by Bates on the title page. In THE VANISHED.....

London: Faber and Faber, [ 1957]. Pictorial wrapper over stiff wrappers. First British edition. Wraps lightly sunned, with two small nicks. Very good.

[Frankfurt am Main]: Suhrkamp Verlag, 1963 & 1964. Two volumes. 529,[6];423,[6]pp. Uniform publisher's charcoal gray linen, silk markers. A couple of marginal finger smudges toward the rear of the first volume, otherwise very good or better, in modestly nicked and chipped dust jackets with some hand soiling to the spines.....

[Paris]: Les Editions de Minuit, [February 1963]. Small octavo. Printed wrappers. Fine in glassine with a bit of tanning at the spine. First edition in French of HAPPY DAYS, translated by the author. Copy #77 of 412 numbered copies on vélin pur fil reserved for La Librairie des Éditions Minuit.....

[ Paris]: Les Editions de Minuit, [ 1969]. Square octavo. Printed wrappers. First edition in French. One of 550 numbered copies, from a total deluxe issue of 749 on vélin cuve B.F.K. Rives. Fine.

48, Upper Berkeley Street, London. "Dec: 18 : '00" [1900]. One page, plus salutation. In ink, on folded octavo sheet of letterhead. Folded for mailing, scattered foxing, cryptic ink docket on last blank panel, otherwise about very good. To an indefinite "Dear Sir" [but presumably a theatrical manager]. Beerbohm regrets.....