Paris: Éditions Coutan-Lambert, [1933]. Octavo. Gilt flexible black cloth. Portraits and illustrations. First edition, ordinary issue. Issued in the series MASQUES CAHIERS D'ART DRAMATIQUE, edited by Gaston Baty. A very good, bright copy.
Paris: Presence Africaine, [1958]. Printed wrappers. Large octavo. First edition. Typical tanning, else a very good, unopened copy.
London: Harrap & Co., [1942]. Publisher's three-quarter blue morocco and cloth, raised bands, t.e.g. Traces of foxing, some light rubbing to side panels, but a very good or better copy. First edition, limited issue. One of one hundred numbered copies, specially bound, and signed by Agate and Sitwell.
[ Np]: Paman Productions Inc. - Paramount Pictures Corp. 5 September 1962. [1],197 leaves. Quarto. Mimeographed typescript, printed on rectos only. Bradbound in titled stiff paper binder. Binder sunned and lightly used at overlap edges, a few related pencil notes on verso of last leaf, fore-margin of one leaf a......
![Item #WRCLIT73392 [Theatre Window Card for:] MALCOLM. Edward Albee, James Purdy, dramatist,...](https://williamreesecompany.cdn.bibliopolis.com/pictures/WRCLIT73392.jpg?width=320&height=427&fit=bounds&v=1593712512)
New York: Shubert Theatre, [1966]. Folio (22 x 14") pictorial stiff board window card, printed on recto only. Shubert filing stamp on verso, union distribution stamp on recto, slight bumps to corners, else near fine. A window card for this very short-lived production (19 previews, 7 performances) of Albee's theatrical.....
[New York]: Dramatists Play Service, [1960]. Printed wrappers. Baker's Plays label in lower corner of front wrapper, some tanning to wrapper edges and closed tear at lower edge of upper wrapper. A good copy. First edition of the author's first book. The printing status of DPS imprints are notoriously difficult.....
![Item #WRCLIT59978 [ORIGINAL PORTRAIT PHOTOGRAPH OF EDWARD ALBEE]. Edward Albee, Carl Van Vechten](https://williamreesecompany.cdn.bibliopolis.com/pictures/WRCLIT59978.jpg?width=320&height=427&fit=bounds&v=1593712303)
[New York]. 18 April 1961. Original borderless gelatin silver print, 25.3 x 20.5 cm (9 7/8 x 8 7/8 inches). Somewhat amateurishly matted. Small spot on verso, else fine. A striking and characteristic portrait by Van Vechten of the American dramatist, seated, semi-profile, with smile and cigarette, dating from the.....
London: Chatto & Windus, 1930. Cloth and boards, t.e.g. Slight flecking to cloth sizing, otherwise very good or better. First edition, limited issue. Copy #185 of 260 numbered copies, specially printed and bound, and signed by the author.
[Los Angeles]: Paramount Pictures / APJAC Productions, nd. but no earlier than 27 September 1971]. [1],120 leaves. Quarto. Mechanically reproduced typescript, printed on rectos only of white, salmon, and green stock. Bradbound in printed studio wrappers. Ink name on upper wrapper, a few notes on title and scattered in text;.....
[Los Angeles]: Twentieth Century-Fox / APJAC Productions, [nd. but no earlier than 15 February 1971]. [1],108 leaves. Quarto. Mechanically reproduced typescript, printed on rectos only of pale blue-green stock. Bradbound in printed studio wrappers. Ink squiggle on upper wrapper, with some darkening along top edge of same, some use to.....
![Item #WRCLIT73391 [Theatre Window Card Poster for:] DON'T DRINK THE WATER. Woody Allen](https://williamreesecompany.cdn.bibliopolis.com/pictures/WRCLIT73391.jpg?width=320&height=427&fit=bounds&v=1593712512)
New York: Morosco Theatre, [1966]. Folio (22 x 14") pictorial color window card, printed on recto only of stiff card. Fine. An original publicity window card promoting the forthcoming New York opening of Allen's first solo Broadway play, which preceded, and was the basis for, his first book publication a......
Washington: Anderson House, 1936. Cloth. First edition. Ink name, else fine in lightly soiled dust jacket. Card inscribed by actress Katherine Cornell (who premiered in the lead) pasted to front endsheet.
Washington: Anderson House, 1935. Cloth. First public edition. Near fine in very good dust jacket with small chip at toe of spine. Source for the 1936 film adaptation.
![Item #WRCLIT70670 [Theatre Guild Production Souvenir Program for:] MARY OF SCOTLAND. Maxwell...](https://williamreesecompany.cdn.bibliopolis.com/pictures/WRCLIT70670.jpg?width=320&height=427&fit=bounds&v=1593712466)
New York: The Theatre Guild, [1933-34]. 16pp. Quarto. Pictorial wrappers. Black & white photographs. Stray inking mark to upper panel, else fine. First edition. Souvenir program produced for the run of the new play by Maxwell Anderson, presented at the Alvin Theatre. Theresa Helburn directed Helen Hayes, Helen Menken, Philip.....
Austin: Univ. of Texas, [1968]. Tall octavo. Cloth. Frontis, illustrations. About very good, without dust jacket, as issued.
Charlottesville: Bibliographical Society/UVa, 1958. Cloth and boards. First edition. Very good.
New York: Gilbert Cates, July 1975. [1],93 leaves. Quarto. Photomechanically reproduced typescript, printed on rectos only. Bradbound in unlettered script binder. Some tanning at edges of binder, title lettered across lower edge; very good. A late form of script for Anderson's 1965 play, here associated with distinguished producer and director.....
New York: The Dial Publishing Company, 1921. Pictorial wrapper by William Gropper. Minor use at overlap edges, otherwise about fine. First separately printed edition of this translation into English by Gregory Zilboorg, in slightly reduced format from the earlier offprint from the periodical and wholly reset. The text first appeared.....
Bucharest: Editura Pentru Literatura Universala, 1967. Two volumes. Laminated pictorial boards. Very good to near fine. First edition thus, edited by L. Moscovici, with prefatory notes on the playwrights by Petru Comarnescu. Representative plays by O'Neill, Anderson, Sherwood, Wilder, Odets, Saroyan, Williams, Miller and Albee, translated by various hands...
[Paris]: Gallimard, [1952]. Printed wrappers. Preface by Robert Mallet. First edition. One of 1600 numbered copies on vélin labeur. Light tidemark around perimeter of lower wrapper, otherwise very good, largely unopened.
Chicago: Argus Books, 1929. 23,[3]pp. Stiff wrapper, printed label. First edition, ordinary issue. Printed at the Peacock Press. Wrapper dust-smudged, with two small rust marks near top edge of front wrapper, internally very good or better.
[ Paris]: Gallimard, [ 1964]. Small, thick octavo. Printed wrappers. First collective edition, ordinary paper issue, printing "Autour du Théâtre et son Double." Poet/translator Cid Corman's copy, with his ownership inscription and occasional marginalia and comments. Wrappers and edges lightly foxed, else very good, with bellyband and glassine.
[ Paris]: Gallimard, [ 1967]. Small, thick octavo. Printed wrappers. First collective edition, ordinary paper issue, printing "Heliogabale ou l'anarchsite couronné," and "Les Nouvelles Révélations de l'Ètre." Poet/translator Cid Corman's copy, with his ownership inscription and occasional marginalia. Wrappers and edges lightly foxed, else very good.
[ Paris]: Gallimard, [ 1970]. Small, thick octavo. Printed wrappers. First collective edition, ordinary paper issue, printing letters and appendices. Poet/translator Cid Corman's copy, with his ownership inscription. Wrappers and edges lightly foxed, else very good, with glassine.
Boston: Exact Change, 1995. Pictorial wrappers. First edition of these translations from the French by Clayton Eshleman and Bernard Bador. Edges of text block faintly dusty, otherwise very good, or better.
