Paris: Ferroud, 1923. Small octavo. Original printed wrappers with pictorial vignette. Heavily illustrated. Unfortunate discolorations to end leaves due to tape affixing an old-fashioned "protective" wrapper, otherwise a very good copy. First illustrated edition, accompanied by a profusion of plates, illustrations and decorated initials, all colored, by Leon Lebegue. One.....
Paris: Societé des Amis Livres, 1902. 84,[1]pp. Small octavo. Full emerald green crushed levant, t.e.g., others untrimmed, by Samblanx. Spine and edges a bit sun faded, otherwise a fine copy. First separate edition (according to Talvart & Place preceding the Pelletan edition). One of a total edition of 130 numbered.....
Paris: Houdaille, Libraire, 1834. 60pp. Sewn printed wrappers, untrimmed. First edition. Slightly dusty, a few instances of foxing, otherwise a fine copy. OCLC locates copies at the BN only.
Paris: Desclée de Brouwer, [ 1967]. Printed wrappers. First edition. Inscribed presentation copy from the author. Wrappers a trace rubbed and soiled, very good.
Hamburg: Dr. Ernst Hauswedell & Co., 1975. 438,[2]pp. Quarto. Cloth, paper label. Frontis and plates (two folding). First edition thus, with parallel German translation by B. von Arnim. One of 600 copies. A couple rubs to paper label, else about fine.
Paris: Firmin-Didot et Cie. 1883. [8],708pp. Thick quarto. Publisher's heavily gilt decorated quarter morocco and cloth, a.e.g. Illustrated with four chromolithographed plates, three color folding maps, twenty-two wood engraved plates, and numerous engravings in text. Fore-corners a bit worn, inner hinges cracking (but sound), moderate marginal foxing (and foxing to.....
Montréal: Éditions de l'Arbe, [ 1944]. Pictorial wrappers. First edition. Spine slightly cocked, light use at overlap edges, but a very good copy.
![Sequence of Six New Years Greetings Featuring Original Graphics]. Galerie Paul Prouté,...](/pictures/thumb/WRCLIT63526.jpg?v=1593712334)
Paris. 1988 - 1997. Six folded quarto leaflets, variations on 28 x 22cm, on handmade paper. All bear manuscript salutations from members of the Prouté family below the printed greetings. Near fine to fine. A selection of the beautiful New Year brochures issued by the Prouté family during these years.....
[Paris: Chez Marcel Sautier, 1966]. Small quarto (25.5 x 17.5 cm). Loose gatherings, laid into printed wrappers. Fine in board chemise and slipcase. First edition in this format. Illustrated with five original full-page (and one double- page) etchings by Zadkine. One of 175 numbered copies printed on Grand Papier d'Auvergne.....
![Original Untitled Color Lithograph]. Joan Gardy-Artigas](/pictures/thumb/WRCLIT74473.jpg?v=1593712537)
[Paris] & New York: Galerie Aimé Maeght, [nd]. Original color lithograph (21 x 25 cm), printed on upper panel of oblong leaflet. Fine. A characteristic four-color lithograph, signed in the stone, printed as a seasonal greeting from the New York office of Maeght. A small black and white litho appears.....
![VOYAGES IMAGINAIRES, SONGES, VISIONS, ET ROMANS CABALISTIQUES [with:] HISTOIRE DE NAUFRAGES, OR...](/pictures/thumb/WRCLIT43687.jpg?v=1593712215)
Amsterdam, et se trouve à Paris, Rue et Hotel Serpente, 1787- 89 [and:] Paris: Chez Cuchet, 1789. Thirty-nine volumes. Octavo. Uniformly bound in contemporary black calf, spines heavily gilt, contrasting red and orange gilt lettering pieces, with gilt crests and bookplates of Cumming Gordon of Alytr. Seventy-six engraved plates plus.....
Paris: Éditions Albert Morancé, [1932]. 35,[1]pp plus 50 plates (2/3 being a single folding sheet). Quarto. Folded or loose sheets laid into cloth-backed board portfolio, with printed panels and ribbon ties. Portfolio edgeworn (and cloth tape spine likely later) a bit of foxing to early and late leaves, paperclip dent.....
Paris: Librairie d’Amyot, 1847. 371pp. Large octavo. Quarter red morocco and decorated boards, t.e.g. Very minor foxing, otherwise about fine. First (and only) edition. With an authorial presentation inscription across the upper portion of the half-title. OCLC/Worldcat locates only the BN copy of this collection, but there ascribes it to.....
Paris: René Kieffer, 1929. Octavo. Geometrically decorated foil wrappers. Woodcut decorations by Braun. Small tape ghost on endsheets from early "protective" wrapper, otherwise a very good copy. First edition in this format, as #18 in Kieffer's "L'Amour des Livres" series. A copy "Réservé," in addition to 1050 numbered copies. Inscribed.....
Paris: Charpentier et Cie. 1875. xviii,369,[3]pp. Quarter 19th century gilt morocco and marbled boards, t.e.g. Portrait. Early reprint of the 1873 "Édition definitive, en partie originale." Fore-edge of lower board worn, faint discoloration to lower edge at gutter early and late, otherwise a good copy.
Paris: Georges Crès et Cie / Les Maitres du Livre, 1922. Two volumes. Printed wrappers. Color woodcut frontispieces by Fernand Siméon. One of 1850 numbered sets on Rives, from a total edition of 1955. Near fine, unopened.
Paris: A. Lemerre, [ nd]. 353pp. Small octavo. Three quarter blue morocco, gilt extra, t.e.g. Undated reprinting of the 1890 collective edition. Private ownership blindstamp, else a nice copy.
Paris: Charpentier, 1867. Two volumes. Original printed wrappers. Minor foxing and slight discoloration in the second volume, otherwise a fine set, untrimmed, in original state. In half morocco chemises and crudely repaired board slipcase. First edition of the poet/journalist's highly popular account of his travels through Russia. The wrappers are.....
![PERLES ET PARURES [caption title] ... LES JOYAUX FANTAISIE ... MINÉRALOGIE DES DAMES PAR LE CTE...](/pictures/thumb/WRCLIT46300.jpg?v=1593712225)
Paris: G. de Gonet [et al]...[&] a Leipzig: Chez Charles Twietmeyer, [1850]. Two volumes. [4],316pp. plus frontis and fifteen plates; [2],300pp. plus frontis and fifteen plates. Large octavo (27.5 x 18.7cm). Very handsome 20th century half tan morocco, raised bands, ruled in blind, lettered in gilt, and marbled boards, t.e.g......
![KEAPSAKE DES ENFANTS POUR 1840 [wrapper title]. Gavarni, pseud. of Sulpice-Guillaume Chevalier](/pictures/thumb/WRCLIT46333.jpg?v=1593712226)
[ Paris]: Beauger & Cie, 1840. Quarto (31 x 23.8 cm). Late 19th century cloth and marbled boards, gilt morocco spine label, original wrappers bound in (upper wrapper pictorial, lower wrapper unprinted). Scattered foxing, binding a bit rubbed and hand-soiled, but very good. A charming album made up solely of.....
![Thirty-Seven Original Lithographs from:] MASQUES ET VISAGES LES PROPOS DE THOMAS VIRELOQUE [and]...](/pictures/thumb/WRCLIT74481.jpg?v=1593712538)
Paris: Imp. Lemercier [for:] Librairie Nouvelle, [nd. but ca. 1850s]. 19 plates and 18 plates. Loose sheets. Images, including captions, ca. 27 x 18.5 cm. Margins vary. Some creasing to the larger margins, two plates exhibit foxing and a couple more show some slight marginal tanning, otherwise very good or.....
Paris: Publie par J. Hetzel, 1845-6. Two volumes. Thick quarto. 19th century three quarter crimson morocco, raised bands, spines gilt extra, t.e.g. Profusely illustrated with plates and vignettes in text, the large majority being after drawings by Gavarni. Very shallow snag at crown of one spine, light occasional rubbing at.....
Paris: La Tour d'Ivoire, 1927. Small quarto. Pictorial stiff wrappers. Plates. Light shelf war at edges, with short snag at the toe of the spine, slight dustiness along the lower edge of the rear wrapper, otherwise very good or better. First edition. Illustrated with 16 wood- engravings by Alexandre Alexeieff.....
![TRANSITION FORTY-EIGHT [Whole Number Four]. Jean Genet](/pictures/thumb/WRCLIT82484.jpg?v=1593713017)
Paris: Transition Press, January 1950. Whole number four (of six published). Pictorial wrappers. Text block browned, as usual, short snag at crown of upper joint, but a good c. Edited by Georges Duthuit, with an advisory board including Char, Bataille, Gilbert, Jolas, Sartre, et al. An important venue for the.....
[ Paris]: Gallimard, [ 1990]. Printed wrappers. First edition, trade issue, after thirty-five copies on velin pur fil Lafuma-Navarre. One of Edmund White's copies, with his (unrelated) notes on the rear free endpaper. Near fine.
