Zurich: [Verlag 3], 1976. Small quarto. Folded sheets laid into printed wrappers. Fine in very good glassine and lightly handsoiled slipcase. First edition, ordinary issue. Illustrated with three spare color gravures by William Turnbull. Copy #59 from an edition of 100 copies (including 25 deluxe and 25 HC), signed by.....
[Munich: Ottenhausen Verlag, September 1980]. Quarto (27 x 20.5 cm). White linen. Fine. A unique album of thirty-five characteristic and obsessive original black ink abstract drawings (ca. 7 x 7 cm) drawn on fine, heavy paper. The title leaf and the colophon are executed in ink by the artist -.....
[Munich: Ottenhausen Verlag, July 1980]. Quarto (27 x 20.5 cm). Hand lettered white linen. Fine. A unique album of eleven original colored ink abstract drawings (ca. 12 x 9 cm) drawn within blindstamped frames on fine, heavy paper, each keyed to an index by the particular colors utilized in the.....
![BOW BEFORE THE WIND [wrapper title]. text, Donald Herron, the Blotter Press, Jerry White, Don Lee...](/pictures/thumb/WRCLIT84752.jpg?v=1612799226)
[Baton Rouge: The Blotter Press, ca. 1971]. [12] leaves Oblong folio (10.5 x 13"; 26.5 x 34 cm). Plastic comb bound paper wrapper, lettered in gilt. Text printed on gold-colored stock, alternating with color screen prints, incorporating text, with printed text on the facing versos. Outer wrapper faded and somewhat.....
Paris: [Chez l'auteur], 1954. Small octavo. Loose signatures laid into pictorial wrappers. Fine, in lightly worn birch paper board and cloth chemise and slipcase. First edition. Illustrated with nine original engravings by Jacques Houplain. From a total edition of 101 copies (including ten copies hors commerce), this is one of.....
Winterthur: Gemsberg-Verlag, [1943]. Folio (46 x 37 cm). Loose bifolia, laid into folding board case. Seven original zinc plate etchings. Very sight tanning at the folds, otherwise about fine. Enclosed in a defective board portfolio. One of 300 numbered copies (of 312), printed on Zerkall handmade paper, and signed by.....
[Anchorage: Anchorage Museum of History and Art, 1995]. Accordion fold, mounted in folded stiff card box (8.4 x 8.4 cm) with decorations by Barbara Mauriello. Text on recto and verso. Color illustrations. Fine. One of 2000 copies. An innovative catalogue of the exhibition, printed on a 56 page accordion fold.....
Cairo, NY: Editions, 1996. 16mo. (11 x 7.5 cm). Decorated wrapper over stiff wrapper after a design by Spyris Horemis. Fine. Second edition, in differing format. The first edition (50 copies) was published in 1986.
![TRANSFORMATION [caption title]. Edward Hutchins](/pictures/thumb/WRCLIT76130.jpg?v=1593712570)
[Cairo, NY: Editions, 1996]. Ten diecut leaves key ring bound between faux- leatherette sheets with labels (approx.6.5 x 7.5 cm), in the shape of a frog. Fine, in publisher's plastic bag with tab seal. Copy #15 of an edition of 28 numbered copies, signed by the artist. "A cynical comparison.....
[Cairo, NY]: Editions, 1994. Die-cut six panel tunnel book (10 x 12.7 cm). Fine. First edition. One of 60 numbered copies, signed by Hutchins. Comprised of color photocopied artwork affixed to diecut cardstock panels with text, secured with Fabriano hinges.
![WORD VESSEL [caption title]. Edward Hutchins](/pictures/thumb/WRCLIT75855.jpg?v=1593712567)
[Cairo, NY]: Editions, [nd. but 1990]. Plexi box (10 x 10 x 10 cm) on base, with linen covered slipbox. Labels. Fine. Copy #4 of 6 numbered copies, signed by the artist. Glass alphabet beads within coiled plexi-tubing spell out words, the intent being, according to the artist, that "The.....
[Cairo, NY: Editions, 2000]. Round accordion fold book, in four quadrants (8 cm diameter). Fine, enclosed in publisher's plastic box. Second, revised edition, "second imprint." The first edition appeared in 1991. One of Hutchins' most widely known book constructions, involving gocco printing, with pop-ups, thermography and hand-tinting. One of 50.....
[Cambridge]: Copeland Gallery / Harvard University, 1999. 12mo. Stiff wrappers, enclosing text and a series of eight woven flexagon pages describing all 60 books, and a pocket with three color postcards. Fine. First edition. Text by Anne Anninger, Ted Cronin, Effy Redman (an interview with Hutchins), and the artist.
[Philadelphia: Indulgence Press, 1993]. Oblong 12mo. Handsewn stiff wrappers, printed in silver and black (10 x 13.5 cm). Enclosed in a plastic envelope, with publisher's label. Fine. First edition. One of 100 numbered copies, signed by Schilling. An artist book printed on an old AB Dick offset press, the first.....
[Hamburg: Edition St. Gertrude, 1977]. ca [40]pp. Oblong octavo.Cloth and decorated boards. Illustrated .Very good or better in slightly edgeworn dust jacket with small nick. First edition. One of 600 copies, consisting entirely of illustrations, photographs and facsimile renderings of manuscript by the artist.
[Newark, VT]: Janus Press, 1992. 40 French-folded unnumbered pages including covers. Oblong quarto. Illustrated. Fine in two-part Barcham Green paper and drum vellum slipcase. First edition of this selection of poems by Burke written in response to Fine's drawings. One of 150 copies printed at the Janus Press on Royal.....
[Berlin]: Edition Galerie auf Zeit, [1997]. Folio (46 x 34.5 cm). Pictorial cloth. Illustrated throughout. About fine in faintly handsoiled white slipcase. First edition in this format, the text rendered in script, and accompanied by illustrations, all as screenprints, by Klaus Zylla. One of 103 numbered copies, signed by the.....
![ARCHITEKTUR - BAUKUNST [cover title]. Ines V. Ketelhodt](/pictures/thumb/WRCLIT74237.jpg?v=1593712534)
[Offenbach am Main / Dreieich: druck Wilhelm & Krehling, 1987]. Narrow quarto (28 x 16 cm). Pictorial printed boards. Fine in near fine plain wrapper. First edition. One of 70 copies printed. Illustrated with digitally edited photographs by Ketelhodt and Richard Meir, creatively juxtaposed with Ketelhodt's text; some portions of.....
[Frankfurt am Main: Unica T., 1991]. Quarto (288 x 208 mm). Boltbound flexible vinyl pictorial wrappers. Photographs and newsprint inserts. Fine. First edition. One of only fifty numbered copies, signed by the artist. Captured video images and press coverage from German newspapers of the first Gulf War, juxtaposed and rendered.....
New York: Library Fellows of the Whitney Museum of American Art, [1986]. Large folio (42 x 39 cm; 20 x 15"). Black cloth, spine lettered in gilt. Illustrations. A few faint finger smudges to cloth, but fine in cloth and fabriano over boards slipcase. First edition in this format, illustrated.....
New York: Profile Press Book / Ben Abramson Publisher, [1946]. Thin octavo. Blue cloth, stamped in red. B&w frontis and plates by Kokoschka. Upper board slightly soiled, endsheets show some discoloration from the binder's glue and the effects of climate/humidity, a couple of small spots of foxing, small spot on.....
New York: Profile Press Book / Ben Abramson Publisher, [1946]. Thin octavo. Blue cloth, stamped in red. B&w frontis and plates by Kokoschka. Endsheets show some discoloration from the binder's glue and the effects of climate/humidity, otherwise very good in dust jacket with internally mended chip at toe of spine.....
[Frankfurt: Elke Betzel Verlag, 1980]. Quarto (30 x 21 cm). Linen over boards, with title written on upper board with a resin- like substance. Illustrated with color photocopies of photographs. Fine. First edition. Copy #38 of 100 numbered copies, signed by the artist, and with each of the color photocopied.....
Wiesbaden: Elke Betzel Verlag, 1978. Octavo. Stiff pictorial wrappers. Illustrations. Photographs. Text reproduced in facsimile of manuscript. Fine. First edition. Copy #121 of 300 numbered copies, signed by the artist. The first sixty included an original page of the manuscript.
[Basel: BookART, 1993]. Octavo (215 x 152 mm). Boltbound stiff paper boards. Illustrated in color throughout. Fine in decorated dust jacket and slightly snagged plain paper shipping sleeve with label. First edition. One of sixty numbered copies only, signed by the artist. A virtually completely visual chronological presentation of collective.....
