[Hollywood]: Samuel Goldwyn / United Artists, [1935]. [28]pp. including insert. Folio (45.5 x 30.5 cm). Pictorial self- wrapper. Heavily illustrated. Some creases and mild rumpling, clean split to spine detaching the lower wrapper, some faint smudges; very good. A particularly lavish pressbook for this early, if not first, screenwriting credit.....

New York: Harcourt, [ 1990]. Printed blue wrappers. Uncorrected page proofs of the first edition. Spine a bit faded, else a fine, unread copy.

[Culver City: The Selznick Studio], 7 January 1958. 76 leaves. Quarto. Mimeographed typescript, printed on rectos. Bradbound in stencil-printed wrappers. Some bleeding offset from red wrappers to facing leaves and minor tidemark along extreme lower edge of a few leaves, but very good. A post-production dialogue continuity of Hecht's adaptation.....

[Culver City]: The Selznick Studio, 1957. [4],173 leaves. Quarto. Mimeographed typescript, printed on rectos. Bradbound in white production company wrappers. About fine. An unspecified but very close to final draft of Hecht's adaptation of Hemingway's novel. It was the novel's second screen adaptation to reach production. This draft notes Charles.....

[Culver City]: The Selznick Studio, 22 October 1957. [3],191 leaves. Quarto. Mimeographed typescript, printed on rectos only. Bradbound in canary yellow production company wrappers. Some minor spots of red offsetting to lower edge of upper wrapper, otherwise very near fine. An unspecified but substantially preproduction draft of Hecht's adaptation of.....

[ Np]: Bart-Palevsky Productions, [nd. but ca. 1970s]. [1],132 leaves. Quarto. Mechanically reproduced typescript, printed on rectos only of blue stock. Bradbound in hot-stamped wrappers. Title hand- lettered on spine. Very good or better. An unspecified draft of this unproduced adaptation to the screen of Hemingway's novel. Petitclerc wrote the.....

[Los Angeles]: Warner Bros. Rerelease 1949. Six 11 x 14" sepia toned pictorial lobby cards. Occasional unobtrusive pin holes in a few margins, old paper tape offset on versos of two cards, otherwise very good. Six (2-6 and 8) of the eight lobby cards issued to promote Warner's rerelease of.....

Chicago & New York: Esquire, Inc., 1935. Small octavo. Publisher's blue-green crushed morocco, spine and side panels gilt extra, a.e.g. Tipped-in color plates. Spine ends very slightly rubbed, some mottling to endsheets beyond the usual marbling, otherwise a very good or better copy. First edition. One of five hundred numbered.....

New York: Scribner, 1938. Red cloth, stamped in black and gilt. First edition. Trace of bookplate on front pastedown, otherwise a very good copy, in a now just good example of the dust jacket, compromised by an old style plastic jacket protector which interacted chemically with the horizontal metallic-finish bands.....

New York: Chas. Scribner's Sons, 1940. Cloth. Spine somewhat rubbed and darkened, a bit tanned and a trifle shaken, but a sound copy. Later printing of the first edition (without the 'A'). Inscribed by Hemingway on the half- title: "To Max Showalter with all good wishes Ernest Hemingway." Accompanied by.....

New York: Charles Scribner's Sons, 1937. Black cloth, spine stamped in gilt and green. Slight darkening at endsheet gutters, a few minor spots of dulling to upper board, otherwise a better than very good copy in faintly edge-worn metallic-finish dust jacket with narrow rub toward crown of spine. First edition.....

[Culver City]: Selznick Studio / Twentieth Century-Fox, [1957]. [20]pp. Quarto. Stiff pictorial wrappers. Illustrations. About fine. The heavily illustrated original theatre souvenir book for Charles Vidor's film adaptation of Hemingway's novel, based on a screenplay by Ben Hecht, produced by David O. Selznick, starring Rock Hudson, Jennifer Jones and Vittorio.....