Boston & New York: Houghton Mifflin, 1931. Gilt green cloth. Spine gilding a bit dull, but a very good copy in lightly worn pictorial dust jacket with a few shallow chips at the crown of the spine, a short closed tear, and some modest soiling. First edition. Inscribed by the.....
London: Faber and Faber, [1950]. Large octavo. Gilt cloth. Second impression, printed photo-offset from the 1940 first edition, but with a long "Note to the Second Edition" by the authors. Endsheets a trifle foxed, but a very good copy in lightly worn dust jacket.
London: Cape, [ 1930]. Gilt cloth. First edition, first state of leaf 157/8. Top edge slightly dusty, otherwise fine in very good dust jacket with nicks at corners and a bit of darkening to spine panel.
London: Jonathan Cape, [ 1930]. Bright green cloth, lettered in gilt. First edition, the less common second state, with leaf 157/8 a cancel, without reference to THE CHILD SHE BARE. Spine faintly sunned, boards a bit smudged and some foxmarks along top- edge, but a very good copy, without dust.....
London: Cassell and Co., [ 1948]. Gilt cloth. First edition (2962 copies printed). Ownership signature and small annotation of James Jones, else a very good copy in price-clipped dust jacket with a few creases and shallow chipping at crown of spine.
London: Cassell and Co., [ 1948]. Gilt cloth. First edition (2962 copies printed). Ownership signature of Howard Moss, else a very good copy in spine-darkened dust jacket with a few creases and shallow chips.
London: Cassell, [1965]. Gilt cloth textured boards. First British edition, preceded by the New York Doubleday edition. Very near fine in dust jacket.
New York: Knopf, 1920. 12mo. Secondary binding of navy pebbled cloth, with wraparound paper label. First U.S. edition, published the same month as the London edition. With the ownership inscription of New Directions publisher James Laughlin. Top edge dusty, paper label faded at the spine, else a near fine copy.....
London: Heinemann, [1917]. Reddish-brown cloth, stamped in gilt. Cloth somewhat hand-soiled, spine darkened, two bookplates (see below), a few smudges, but a good copy, without dust jacket. First edition, first binding, of Graves' most substantive trade collection of war poems, dedicated to the Royal Welch Fusiliers. With the bookplate and.....
London: Cassell & Co. Ltd., [1957]. Gilt black cloth. Photographs. About fine in near very good dust jacket, the latter with some small chips, and a quarter-size coffee spot and faint doodle on the rear panel. First British printing of the second edition, with a new prologue and epilogue...
London: Folio Society, 1981. Decorated cloth. Frontis, maps and photographs. Lower fore-corner of one leaf of photos misfolded, mistrimmed and misprinted in production, otherwise about fine in slipcase with minor cracks to end joints of rear panel. First edition in this format, with the photographs and an Introduction by Raleigh.....
London: Hutchinson, [1982]. Large octavo. Cloth-textured boards. Edited by Paul O'Prey. First edition. Fine in near fine dust jacket with some tanning along the top edges of the inner flaps.
London: Jonathan Cape, [ 1927]. Mustard yellow gilt cloth. First edition, first binding. Doughty flyer tipped in, prior to index. Externally a fine, bright copy, marred by slight dampstains at toe of fore- edge, top edge, and extreme upper edge of front endsheet. All of the contemporary presentation copies from.....
London: Jonathan Cape, [ 1927]. Gilt medium brown cloth. Portrait. Illustrations edited by Eric Kennington, with maps by Herry Perry. First edition, in the probable second, and most common binding. Cloth a bit marked and lightly soiled; a good, sound copy.
London & New York: St. James / St. Martin's, [1975]. Cloth. Photo-offset facsimile of the British Library copy of Graves's first book. Fine, without dust jacket, as issued. Published in the Poetry Reprint Series.
[London: Printed for the Author at the Chiswick Press, December 1919]. Small octavo. Sewn unlettered blue wrappers (not stapled, as the bibliographers assert). Two small pictorial vignettes. Wrappers neatly split along spine, otherwise about fine. First edition of Graves's fourth book, printed in an edition of two hundred copies for.....
London: The Fleuron, 1925. Quarter cloth and decorated paper over boards. Textblock tanned at edges, crown of spine a bit frayed with small nick a bit further down, sticker removal mark in upper corner of front board; just a good, sound copy. First edition. One of 525 copies printed. Decorations.....
London: The Fortune Press, [ 1946]. Cloth. First edition. About fine in dust jacket.
Boston: Little, Brown, [ 1982]. Pictorial wrappers. Advance reading copy, from page proofs. One corner bumped, else about fine.
New York: Harper & Bros. [ 1919]. Gray green cloth, stamped in gilt. Frontis and plates by W.H.D. Koerner. First edition. Ink name, cloth a bit rubbed, else a very good, sound copy.
New York: Farrar, 1947. Cloth. Trace of tanning to endsheet gutters, else about fine in lightly sunned dust jacket. First edition of the author's first book, including a subsection of poems entitled "The Government Issue Feeling" made up of poems reflecting his war service in the Pacific.
New York: Farrar, 1947. Cloth. Some modest tanning at edges, otherwise very good in dust jacket which itself is tanned at all edges and spine. First edition of the author's first book, including a subsection of poems entitled "The Government Issue Feeling" made up of poems reflecting his war service.....
New York: Vanguard Press, 1945. Large octavo. Gilt cloth. Illustrations throughout by Groth. First edition. A couple of small bubbles to cloth, otherwise a very good to near fine copy, in near very good dust jacket with some small chips along the lower spine fold.
New York: Knopf, 1950. Cloth. First edition of this dystopic novel by the Texas-born Harvard critic. A very good copy in lightly edgeworn dust jacket.
New Haven: Yale University Press, 1919. vii,[5],206,[2]pp. Gilt blue-green cloth, boards ruled in blind. Edges and endsheets a bit foxed, otherwise near very good. First edition. Inscribed presentation from "the author" to Wilmarth Lewis, dated 1919, and with the recipient's small bookplate (bearing a tiny release stamp). A collection of.....
