[ Northampton: Printed by the Kraushar Press, for the Friends of the Cummington School], 1939. Printed wrappers. A couple small spots to rear wrapper, otherwise about fine, as usual. First edition of this prelude to the founding of the Cummington Press. Three hundred copies were printed, of which only one.....
[ Northampton: Printed by the Kraushar Press, for the Friends of the Cummington School], 1939. Printed wrappers. Stapled printed wrappers. A few stray minor rubs to wrappers, otherwise a fine copy. First edition of this prelude to the founding of the Cummington Press. Three hundred copies were printed, of which.....
New Rochelle: Elizabeth Press, [ 1975]. Large octavo. Boards. Second edition of the author's first book, issue in boards. One of a total edition of four hundred copies printed at the Stamperia Valdonega. Fine in slipcase.
London: Selwyn and Blount, 1923. Linen and decorated boards, paper labels. Portrait. Boards somewhat rubbed and bumped, small tasteful bookplate, internally very good. Copy #16 of 500 numbered copies printed at the Curwen Press.
![CATALOGUE OF BOOKS AND MANUSCRIPTS BY RUPERT BROOKE EDWARD MARSH & CHRISTOPHER HASSALL [with]:...](/pictures/thumb/WRCLIT75568.jpg?v=1611956706)
Cambridge: Rampant Lions Press, [1970] & 1992. Two volumes. First volume: Quarto. Gilt cloth, t.e.g. Frontis by Joan Hassall. Plates and facsimiles. Fine. Second volume: Large octavo. Decorated boards. Plates. Fine. First edition and only edition of each volume. The catalogue is an "o/s" copy from an edition of 450.....
Lake Tahoe: The Huckleberry Press, 1989. Small folio (32 x 21 cm). Cloth and printed Fabriano over boards, paper spine label. Portrait frontis. Fine. First printing in this format. From a total edition of fifty numbered copies printed by Greg Peterson and John Balkwill (who also prepared the woodcut portrait).....
London: Rupert Hart-Davis, 1946. Half niger morocco and Cockerell paper over boards. Portrait. Very slight dust marking to spine, otherwise about fine. First edition, limited issue. Copy #3 of 240 numbered copies, specially printed on part- rag paper and specially bound. Preface by Geoffrey Keynes. According to Keynes, these deluxe.....
[New Haven: Printed at the Yale University Press, 1917]. Contemporary three quarter morocco and marbled boards by MacDonald, bound without wrappers. Photogravure vignette. Extremities rubbed, shallow bump to top edge of one board, small shelf label in corner of front free endsheet, otherwise a very good copy. First edition. One.....
[New Haven: Printed at the Yale University Press, 1917]. Contemporary three quarter morocco and marbled boards, original wrappers, with printed label, bound in. Photogravure vignette. Light discoloration at fore-edges of binder's blanks, light offset from relevant, formerly laid in clippings to colophon and facing blank verso, a bit of darkening.....
[ Mt. Horeb]: The Perishable Press, [ 1981]. Printed wrappers. Frontispiece by Janet Morgan. Fine. First edition. One of two hundred copies printed in Sabon Antique on various papers handmade from rags.
Ann Arbor: Univ. of Michigan Press, 1941. Cloth and marbled boards. Plates. One of an unspecified number of copies designed and printed by Edmund Thompson at Hawthorn House. Inscribed and signed by the author. Minor rubbing at tips, otherwise very good or better.
Portland: Thomas B. Mosher, 1900. Decorated paper over stiff wrappers. Frontis. First printing in this format, as the 100th volume from the imprint. One of four hundred copies printed on Van Gelder. A few minor bits of foxing, bookplate, otherwise very good in bit chipped and torn dust jacket with.....
New York: Lyle Stuart / Loujon Press Award Book, [1965]. Quarto. Pictorial stiff wrappers. Illustrations by Noel Rockmore. About fine, but without the bellyband. First edition. One of 3100 copies printed in New Orleans at the Loujon Press, signed and dated by the author ("3-20-65"). There were also several subvariants.....
Boston: The Bibliophile Society, 1915. Quarto. Full publisher's gilt red morocco, t.e.g. Spine darkened and rubbed, otherwise near fine in slipcase. One of 475 copies printed on Japan vellum, with the main text and illustrations being printed from copperplate engravings made by Arthur N. Macdonald, with each engraving headed by.....
[ Pittsburgh]: The Folio Press, 1926. Cloth and boards. Spine dull and boards a bit rubbed, a bit dusty, but a good copy. First edition, one of one hundred and fifty hand-printed copies. This book was designed and set by hand by future poet/critic, Stanley Burnshaw. Inscribed by the author.....
[ Pittsburgh]: The Folio Press, 1926. Cloth and boards. Several pages hand- smudged, endsheets darkened, spine and boards a bit grubby, short crack at top of one joint, one corner bruised; just a good copy. First edition. One of one hundred and fifty hand-printed copies. This copy is signed by.....
Esher, Surrey: The Penmiel Press, 1986. Quarto. Decorated boards, printed label. Fine in slipcase. First edition. One of one hundred numbered copies, signed by the compiler/printer. Illustrated with drawings by Clarke Hutton, and with fourteen original, often hand- colored paper cuttings prepared in the PROC. The paper-cuttings differ between copies.....
Stamford: The Overbrook Press, 1943. Gilt cloth. Illustrated with chess diagrams. A bit of rubbing at spine ends, but a very good or better copy, without the lain shipping wrapper. First edition. Introduction by Alain White. One of only three hundred copies printed. Since we exhausted a very substantial remainder.....
New York: Cheshire House, 1931. Large octavo. Quarter calf and decorated boards, t.e.g. Trace of foxing to endsheets and edges, else fine in very good slipcase. One of 1200 numbered copies. Illustrated by H. Charles Tomlinson, with an introduction by H.M. Tomlinson. One of the most substantial titles issued by.....
New York: Fountain Press, 1929. Cloth and decorated boards. Gilt morocco bookplate of John Stuart Groves offset to free endsheet, otherwise a very nice copy. First edition. One of 718 numbered copies printed at the Grabhorn Press and signed by the author. 676 copies were for sale.
New York: Crosby Gaige, 1928. Cloth and elaborately gilt decorated boards. Fine in lightly frayed glassine wrapper. First edition. One of 831 numbered copies, designed by W.A.Dwiggins, printed by Rudge, and signed by the author at the end of his prefatory note.
Barre, MA: Imprint Society, 1972. Thick octavo. Quarter red pigskin and pictorial boards. Illustrated with woodcuts. Very good to near fine in slightly dust smudged pictorial slipcase. Copy #115 of 1950 numbered copies, printed by Stinehour, illustrated with original woodcuts by Michael McCurdy, and signed by him. The Bandelier translation.....
San Francisco: Book Club of California, 1936. Six volumes. Printed wrappers. A few short nicks and tears to overlap edges, otherwise a very good set, with mimeo cover slips laid in. Later board slipcase. First editions in this format, each limited to five hundred copies, with an appropriate introduction: 1).....
[ Albuquerque: University of New Mexico, 1948]. Cloth. Fine in bright dust jacket with small nick and two small tape mends at corners. First revised edition (the subtitle dropped), and first edition featuring illustrations by Peter Hurd. The design, by Harvey and Griffith, owes much to Merle Armitage's influence...
Cambridge: Printed at the University Press, [ 1962]. Oblong octavo. Gilt cloth. Plates. One of five hundred copies printed for distribution to friends of the press. Fine in lightly rubbed marbled board slipcase.
