London: Printed for Henry Baldwin, 1791. xii,[16],516;588[i.e.586],[1]pp. Two volumes. Quarto (29 x 23 cm). Portrait in first volume and two engraved plates in second. Full olive brown morocco, raised bands, gilt, t.e.g., others largely untrimmed. Occasional light foxing, and some dusting to a few edges, early small marginal restoration around.....
London: Printed for Henry Baldwin, 1791. xii,[16],516;[2],588[i.e.586],[2]pp. Two volumes. Quarto. Handsomely bound in full speckled calf, elaborately gilt extra, a.e.g., for Brentano's. Portrait. Facsimile and plate. Isolated minor foxing, a couple of thin scratches to one upper board, S2-3 in first volume exhibit odd discoloration, otherwise a bright set, very.....
London: Printed for Henry Baldwin, 1791. xii,[16],516;588[i.e.586],[1]pp. Two volumes. Quarto. Contemporary speckled calf, rebacked and recornered at a later date to a semblance of style, gilt labels. Portrait. Facsimile and plate. 19th century ink name ("Walter Fletcher") on endsheets and effaced from margin of titles, edges rubbed, endsheets creased, some.....
Dublin: Printed by John Chambers [& John Exshaw, & Robert Rhames for second and third volumes respectively] for R. Cross, et al, 1792. Three volumes. xxxiv,536;[2],605;573pp. plus two folding plates. Contemporary speckled calf, spines gilt extra, gilt green morocco lettering pieces. Occasional minor soiling, narrow crack at toe of lower.....
London: Printed for T. Cadell [et al], 1822. Four volumes. Octavo. Original paper boards, printed spine labels. Portrait frontis in first volume. Facsimiles. Paper covering the spines of first and fourth volumes imperfect, small chip at crown of second spine, internally crisp and generally quite nice. The ninth edition, edited.....
Garden City: Doubleday, Doran and Co., 1945. Large octavo. Portrait and plates. Cloth, t.e.g. One of 1000 numbered copies, signed by the artist. Backstrip a shade tanned, else about fine in slipcase.
[ London]: Elkin Mathews & Marrot, 1930. Cloth and decorated boards, paper label. First printing in this format. One of 600 numbered copies. Boards a bit soiled and lightly edgeworn, bookplate, bookseller's description pasted to free endsheet; a good, sound copy.
New York: The Typophiles, 1995. Small quarto. Gilt wrappers. Portrait. Photographs and facsimiles. First edition. One of eight hundred copies, published as a Typophiles Monograph (New Series: 13). Fine.
New York: McGraw-Hill, [ 1984]. Large, thick octavo. Cloth and boards. Plates. Inscribed presentation copy from Brady (signed first name only). Fine in slightly darkened dust jacket.
New York: McGraw-Hill, [1984]. Large, thick octavo. Cloth and boards. Plates. A few corners turned down, otherwise very good in slightly shelfworn and darkened dust jacket. First edition. With the ownership signature of Boswell editor, Joseph Reed, who is thanked in the Preface.
New York: Twayne, [ 1971]. Gilt cloth. First edition, issued as Twayne's English Authors Series 122. Top edge lightly foxed, otherwise very good, without dust jacket.
New York: McGraw-Hill, [1974]. XIX,[1],371PP. Small quarto. Cloth. Photographs. First edition. Faint, thumb-tip size discoloration in upper margins of last few leaves, otherwise very good or better in good dust jacket with discoloration around perimeter of rear panel and flap. A complement to Pottle's PRIDE & NEGLIGENCE in recording the.....
New York: Scribner, [ 1976]. Small quarto. Gilt cloth boards. Portrait and illustrations. First edition, U.S. issue, bound up from British sheets. Fine in dust jacket.
New York: Longmans, 1947. Cloth. Portrait. First American edition. A good copy in dust jacket.
London: Eyre & Spottiswoode, [1946]. Gilt cloth. Frontis and plates. First edition. A couple of shallow dents in edges of lower cover, edges foxed, but a good, sound copy in price-clipped dust jacket.
New York: Viking, 1937. Cloth and decorated boards. First edition. One of 500 numbered copies, of which this is an unnumbered, "out of series" copy. Fine in very good slipcase with short cracks in lower joints.
New York: Viking, 1937. Cloth and decorated boards. First edition. In addition to five hundred numbered copies, this is one of at least two out-of-series copies, denoted as an "Author's Copy" on the colophon. Very fine in slipcase and glassine wrapper.
New York: Viking, 1937. Cloth and decorated boards. First edition. One of 500 numbered copies. Endsheets slightly darkened, else near fine in darkened slipcase with short cracks at tips.
[ Houston]: A Reprint from RESTORATION AND EIGHTEENTH- CENTURY LITERATURE, [ nd]. Printed wrappers. First separate issue of this essay, as an author's separate. Fine.
[ Houston]: A Reprint from LITERARY VIEWS, [ nd]. Printed wrappers. First separate issue, as an author's separate. Fine.
New York: McGraw-Hill, [ 1966]. Gilt cloth. Portrait and plates. First edition. Bookplate, else fine in very good dust jacket with edge tears and laminate peel.
New York: McGraw-Hill, [1966]. Gilt cloth. Portrait and plates. Corner creases to a number of leaves toward end, fore-edge soiled, otherwise very good in dust jacket. First edition. Warmly and personally inscribed ("with love and esteem") by Pottle (in 1985) to his co-editor of LAIRD OF AUCHINLECK, Joe Reed, and.....
London: Heinemann, [ 1966]. Cloth. Portraits and plates. First edition. Fine in near fine dust jacket with a few small edge tears.
Berkeley: Univ. of Ca. Press, 1972. Cloth. First edition. Fine in dust jacket.
Boston: Atlantic Monthly Press, [ 1922]. Large octavo. Gilt brown cloth, t.e.g. Portrait and plates. First edition. With the author's 1955 inscription in response to a letter from an unidentified admirer. A carbon of the letter is laid in. Cloth lightly flecked, light wear to corners and spine ends, otherwise.....
