New York: Holt, Rinehart and Winston, [1984]. Cloth and boards. Bookplate on front pastedown, otherwise fine in dust jacket (state with the spelling error on the front panel). First edition, clothbound issue. Inscribed on the front free endsheet: "To the James S. Copley Library Edward Abbey La Jolla 1984."
London: Constable, 1930. Cloth. First edition. One of fifty numbered copies, specially bound and signed by the author. This copy is additionally inscribed and signed by him. Backstrip sunned, very good.
Cedar Falls, IA: North American Review / University of Northern Iowa, 1980. Pictorial wrappers. First edition, wrapperbound issue, of the author's first book. Signed and dated by the author in 1981. Fine.
New Haven: Ticknor & Fields, 1983. Cloth and boards. First edition. Inscribed by the author to the principal of the publishing house, "who rescued this book, and me...." Fine in dust jacket.
Paris: NRF, 1934. Large octavo. Printed wrappers. Photographs. Wrappers tanned and a bit dust darkened, several leaves carelessly opened at extreme fore-margin; just a good, sound copy. First edition. Copy #37 of an unspecified number of copies. Inscribed and signed by the author. A very curious exploration of physical symmetry.....
New York: Harper & Bros. [1950]. Large octavo. Cloth. Extremities a bit rubbed, bump to lower edge of one board; a good copy, without dust jacket. First edition. Inscribed by Ackerman "To Burgess Meredith - 'Toward something bigger' with warmest wishes Nathan." An early collaborative work by the eminent therapist.....
New York: The Print Club, 1979. Folio (46.5 x 33cm). Loose sheets, laid into printed folder, the whole enclosed in folding cloth portfolio with ribbon ties. Small spot of faint dulling to cloth on upper portfolio board, otherwise fine. One of two hundred suites of eight original woodcuts, each printed.....
Florence: Privately Printed for Subscribers by G. Orioli, [1930]. Gilt decorated boards, gilt spine label. Portrait frontis printed by Emery Walker. Plate. Tasteful bookplate on front pastedown, otherwise a fine copy in very good dust jacket (a bit sunned at spine and edges, with an internally mended edge tear). First.....
London: Faber and Faber, [1932]. Large octavo. Gilt medium green cloth. Frontis and plates. Spine a shade sunned and slightly cocked, neat bookplate on pastedown, otherwise a very good copy, without dust jacket. First edition. Inscribed on the front free endsheet: "For Anthony Hobson with the warmest regards and best.....
[Harper Woods, MI]: Adagio Press, 1976. Sewn printed wrappers. First edition. One of approximately 325 numbered copies, set by hand in a variety of types, and printed in several colors, signed by the printer/publisher. Fine in lightly worn printed envelope.
[San Francisco]: Privately Printed, 1930. Large, thin quarto. Cloth, paper label. Frontispiece. Usual slight offset of letterpress from first page of text to frontis, some very faint, scattered dust marks to cloth, otherwise near fine in lightly hand-soiled slipcase with small label shadow at lower corner of one panel. First.....
Boston: [From THE PROCEEDINGS OF THE MASSACHUSETTS HISTORICAL SOCIETY], 1912. [2],[243]-333pp. Original printed wrappers. Spine backed at an early date with heavier paper, wrappers chipped at lower edge and lightly spotted, but a good, internally very good, copy. First edition. Tipped to the preliminary blank is a 2 1/2pp. autograph.....
Chicago: Way & Williams, 1897. Pictorial cloth, decorated in gilt, t.e.g., others untrimmed. Decorative title in red and black. Spine tips a bit rubbed, a few streaks of offsetting along fore-edge of upper cover, slight dampmark around toe of spine, faint tide mark at toes of endsheet gutters, otherwise very.....
Austin: Latitudes Press, 1981. Volume one, number one. Pictorial wrappers. About fine. Edited by Robert Bonazzi, and signed by him at the conclusion of his prefatory note. A distinguished bi-annual periodical, dedicated to John Howard Griffin, who had died the previous year. Contributors include Snyder (an interview), Garcia Marquez, Amado.....
London: Harrap & Co., [1942]. Publisher's three-quarter blue morocco and cloth, raised bands, t.e.g. Traces of foxing, some light rubbing to side panels, but a very good or better copy. First edition, limited issue. One of one hundred numbered copies, specially bound, and signed by Agate and Sitwell.
New York: The Eakins Press, 1971. Small folio. Cloth and paper over boards. Facsimile. First edition, limited issue. One of three hundred numbered copies, signed by the author. Fine in very good, slightly darkened and handsmudged slipcase.
New York: Braziller, [ 1967]. Large octavo. Printed paper boards. Slight darkening to boards at extremities, otherwise near fine, without slipcase. First edition, limited issue. According to the colophon, one of one hundred numbered copies, signed by the author and the artist, from a total of two hundred copies printed.....
New York & Boston: Duell, Sloan and Pearce / Little, Brown and Company, [1952]. Cloth. A rather used and edgeworn copy, in slightly worn supplied dust jacket. First edition of Aiken's autobiography, a work many regard as his most significant prosework. An inscribed presentation copy from Aiken to the daughter.....
New York: Viking, [1976]. Small quarto. Cloth and boards. Illustrations by Ken Rinciari.A very good copy in somewhat faded dust jacket with short, internally mended tear. First (U.S.) edition. With the author's signed inscription to Louis Untermeyer (followed by a street address in the recipient's hand).
Paris & New York: Two Cities Press, [1963]. Large octavo. Pictorial wrapper. Illustrations. Wrapper slightly flared, slight bump to lower fore-tip, otherwise very good or better. First edition, trade issue, of the author's first commercially published book (albeit by an imprint of her own founding), preceded by a 24 page.....
London: Chatto & Windus, 1931. Gilt cloth. One corner bumped, spine a bit rubbed at edges, but a good, bright copy. First British trade edition. Inscribed by Aldington: "Eunice [Black] from Richard."
London: Chatto & Windus, 1930. Cloth and boards, t.e.g. Slight tanning along top edges of boards, otherwise near fine. First edition, limited issue. Copy #27 of 260 numbered copies, specially printed and bound, and signed by the author.
London: Chatto & Windus, 1930. Cloth and boards, t.e.g. Slight flecking to cloth sizing, otherwise very good or better. First edition, limited issue. Copy #185 of 260 numbered copies, specially printed and bound, and signed by the author.
London: Chatto & Windus, 1933. Large octavo. Blue cloth, stamped in gilt. Near fine, in a somewhat darkened, good dust jacket with chips at corners. First edition, trade issue. Inscribed by the author in the year of publication: "Pat from Richard 1933." A novel set on the Continent and in.....
London: Allen & Unwin, [ 1926]. Cloth, paper label. Cloth a bit soiled and label worn (a fresh spare is tipped in back), light foxing, but a good copy. First edition. Inscribed by the author: "Eunice Black [/] Richard Aldington."
