New York: Holt, Rinehart and Winston, [1984]. Cloth and boards. Bookplate on front pastedown, otherwise fine in dust jacket (state with the spelling error on the front panel). First edition, clothbound issue. Inscribed on the front free endsheet: "To the James S. Copley Library Edward Abbey La Jolla 1984."
New York: The Print Club, 1979. Folio (46.5 x 33cm). Loose sheets, laid into printed folder, the whole enclosed in folding cloth portfolio with ribbon ties. Small spot of faint dulling to cloth on upper portfolio board, otherwise fine. One of two hundred suites of eight original woodcuts, each printed.....
Florence: Privately Printed for Subscribers by G. Orioli, [1930]. Gilt decorated boards, gilt spine label. Portrait frontis printed by Emery Walker. Plate. Tasteful bookplate on front pastedown, otherwise a fine copy in very good dust jacket (a bit sunned at spine and edges, with an internally mended edge tear). First.....
London: Faber and Faber, [1932]. Large octavo. Gilt medium green cloth. Frontis and plates. Spine a shade sunned and slightly cocked, neat bookplate on pastedown, otherwise a very good copy, without dust jacket. First edition. Inscribed on the front free endsheet: "For Anthony Hobson with the warmest regards and best.....
[Harper Woods, MI]: Adagio Press, 1976. Sewn printed wrappers. First edition. One of approximately 325 numbered copies, set by hand in a variety of types, and printed in several colors, signed by the printer/publisher. Fine in lightly worn printed envelope.
[San Francisco]: Privately Printed, 1930. Large, thin quarto. Cloth, paper label. Frontispiece. Usual slight offset of letterpress from first page of text to frontis, some very faint, scattered dust marks to cloth, otherwise near fine in lightly hand-soiled slipcase with small label shadow at lower corner of one panel. First.....
Boston: [From THE PROCEEDINGS OF THE MASSACHUSETTS HISTORICAL SOCIETY], 1912. [2],[243]-333pp. Original printed wrappers. Spine backed at an early date with heavier paper, wrappers chipped at lower edge and lightly spotted, but a good, internally very good, copy. First edition. Tipped to the preliminary blank is a 2 1/2pp. autograph.....
Boston & New York: Houghton, Mifflin and Company, The Riverside Press, Cambridge, 1904. Original cloth with small pictorial onlaid cover illustration (portrait of Judith printed in color), t.e.g. Photographic frontispiece portrait of Miss O'Neil as Judith. Extremities of spine a trifle worn, and spine gilding slightly dull, otherwise a very.....
Boston & New York: Houghton, Mifflin and Company, The Riverside Press, Cambridge, 1894. Gilt decorated blue cloth, t.e.g. Spine darkened and a little frayed at extremities, short tear and crease to front free endsheet, else good. With Richard W. Gilder's tiny book label. Revised edition, originally published in MERCEDES, AND.....
Boston & New York: Houghton, Mifflin and Company, The Riverside Press, Cambridge, 1889. Vellum backed gilt decorated cloth, t.e.g. Some darkening to spine, cloth a little rubbed at tips, but a good copy. First edition. A decent association copy, inscribed by the author on the front free endsheet: "To R.W......
Swinford: Fantasy Poets No. 32, 1956. Printed wrappers. First edition of the author's first book. Inscribed and signed by the author. Faintly dusty, very good.
[Paris]: Yves Rivière, [1974]. Small folio. Folded sheets, laid into chemise and decorated board slipcase. Illustrations in color by Alechinsky. Slipcase a bit smudged and edgeworn, contents fine. First edition. A facsimile of Caillois's corrected typescript, accompanied by color full-page and in/over text illustrations by Alechinsky. One of a total.....
Torino & Paris: Edizione d'Art Fratelli Pozzo / Chez Guy la Prat, [ca. 1961]. Oblong quarto. Cloth, with pictorial onlay. Plates and decorations. Tips a bit worn, otherwise about fine. First edition, trade issue, of this translation by Christiane Rochefort. Illustrated with lithographs and drawings by Alechinsky. One of a......
New York: Farrar, Straus and Cudahy, [ 1956]. Cloth and boards. First edition. Signed by the author on the front free endsheet in a relatively early hand. Board edges a trace sunned, a few finger smudges to fore-edge, else a very nice copy in dust jacket (faint darkening to white.....
New York: Farrar, Straus and Cudahy, [1956]. Canary yellow cloth and blue-gray boards. Hint of darkening to the spine, otherwise very good or better in very good dust jacket with a few spots and light soiling to the lower panel, and a snag at the crown of the lower joint.....
[ Np: H. Wolff, nd]. Unprinted fragile decorated paper wrappers. First edition. One of an unknown number of copies distributed in commemoration of the 275,000 copy of the novel, signed by the author at the end of his text. Fragile outer wrapper a bit chipped and neatly split at spine.....
London: Cape, [1975]. Gilt cloth. First edition of the author's second book, signed by him on the title-page. A fine copy in near fine dust jacket with a bit of the almost inevitable sunning to the colored horizontal bars across the spine panel.
Aldington: Hand and Flower Press, 1951. Printed wrappers. First edition (Poems in Pamphlet VI). Inscribed by the author in 1953. Very good.
[ Np: The Artist, nd]. Lithographed holiday greeting (image size 7.5 x 9.5 cm, on 19.5 x 13.5 cm card), in medium brown ink. Folded across middle, not approaching image, minor crease, else very good. Functionally a greeting card, with signed by Angelo and titled in pencil below the image.....
[New York]: Valenti Angelo, 1949. 16mo. (12.5 x 8.5 cm). Plain wrapper over boards, spine lettered in orange. Slight use at crown of spine and fore-tips, very good, internally fine. First printing in this format, with hand- executed color calligraphic initials and decorated title-page device. Copy #28 of two hundred.....
London: Printed for the Author, at No. 9, Thornhaugh Street, 1795. 16pp. Printed self-wrappers, untrimmed. Upper margin rather frayed and dusty, sewing perished, still a good copy. First and only edition. A political screed - the "antichrist" being the Pope - and the letter drips with irony in its perfumed.....
London: J. Ridgway and Son. 1838. 128pp. Octavo. Extracted from nonce pamphlet volume. Faint old stamps of a defunct mercantile library, title neatly detached, a few foxmarks; good. First edition. Inscribed in the top margin of the first page of text: "From the Writer to W. Hayward Esqr." OCLC/Worldcat offers.....
![Item #WRCLIT34172 VOCES POPULI [REPRINTED FROM "PUNCH"]... WITH TWENTY ILLUSTRATIONS BY BERNARD...](https://williamreesecompany.cdn.bibliopolis.com/pictures/WRCLIT34172.jpg?width=320&height=427&fit=bounds&auto=webp&v=1593712188)
London: Longmans, Green, 1890. Cloth-backed marbled boards. Frontis, illustrations. Light foxing to prelims, edges and extremities rubbed and worn, but a good copy. First edition. With a presentation inscription from Guthrie: "To Mrs. Horace Pym with the Author's kindest regards Oct: 1895."
London: J.M. Dent & Co., 1897. Original gilt pictorial slate blue cloth, t.e.g., others untrimmed. With illustrations by J. Bernard Partridge. A little foxed and spine a trifle cocked, but a good copy. First edition in book form. Originally published as a series in PUNCH under the title "Jottings and.....
![Item #WRCLIT30014 THE MAN FROM BLANKLEY'S AND OTHER SKETCHES [REPRINTED FROM "PUNCH"]. F. Anstey,...](https://williamreesecompany.cdn.bibliopolis.com/pictures/WRCLIT30014.jpg?width=320&height=427&fit=bounds&auto=webp&v=1593712181)
London: Longmans, Green and Co., 1893. Small quarto. Half gilt vegetable parchment and decorated boards. Twenty-five illustrations by J. Bernard Partridge. Spine a bit darkened and rubbed, as usual, corners bumped, but a good copy. First edition, bound uniform in format to the second series of VOCES POPULI published the.....
