London: Heinemann, [1943]. Large, thin octavo. Gilt lettered buckram. Offset to free endsheets from pastedowns, that in the front serving as well as the half- title, few minor smudges and brown-spots to cloth and occasionally in margins, but a very good copy. First edition. One of 250 numbered copies for.....
Edinburgh & London: W. Blackwood / T. Cadell, 1823. lviii,279pp. plus tipped-in errata slip. Octavo. Early 20th century cloth. Hinges cracking, bookseller's description affixed to pastedown, edges rubbed, some occasional spotting and finger smudging; just a good, sound copy. First edition of these translations and original snippets by the prolific.....
[Madras]: Macmillan [Company of India, Inc., 1973]. Textured boards. Boards show a few patches of soiling, otherwise very good in dust jacket with tiny chip. First Indian printing in this format, as an element in the "Pocket Tagore Edition." Poet / translator / publisher Cid Corman's copy, with his 1976.....
Concord, NH: William B. Ewert, 1990. Large octavo. Quarter morocco and gilt lettered Fabriano over boards. Fine. First edition. From an edition of one hundred copies printed on Rives at the Firefly Press and signed by the author. This is designated as one of fifteen copies specially bound for the.....
Concord, NH: William B. Ewert, 1990. Large octavo. Printed stiff wrappers. Fine. First edition. From an edition of one hundred copies printed on Rives at the Firefly Press and signed by the author. This copy is designated on the colophon as "hors commerce" and was for the author's use. Eminescu.....
London & Leipsic [sic]: T. Fisher Unwin, [nd. but ca. 1915]. Small octavo. Green cloth, stamped in blind, lettered in gilt. Frontis by Una Hyde. Spine darkened, with shallow surface loss at crown and toe, two old tape scars to pastedown, else a good, sound copy. First edition, London issue.....
[ Parma]: Guanda, [ 1953]. xxvii,[2],438pp. plus ads. Large octavo. Original printed wrappers. Wrappers a bit tanned and smudged, text paper typically tanned at edges, but a very good copy in faintly worn dust jacket. First edition of this substantial anthology of American poets from Stephen Crane to Richard Wilbur.....
London: Heinemann, 1898. Red cloth, with pictorial vignette of guillotine in black and gilt. Spine rather darkened and foxed, crown of spine frayed, otherwise good and sound. First edition of this translation from the Provencal. Inscribed by the translator on the occasion of publication to her husband, American writer Thomas.....
[Paris: Privately printed, 1977]. Padbound pictorial wrappers. Portraits. First edition. Foreword by the translator. With Jolas's signed year of publication presentation inscription on the title. Pad binding separated at spine, minor foxing, very good.
Paris: La Table Ronde, [1948]. Octavo. Printed wrappers. Wrapper lightly smudged and faintly soiled along spine, short tear at toe of spine mended, otherwise very good, largely unopened. First edition in French, review copy with "S.P." imprint on lower wrapper. Translated from the German by Jünger's close friend, Banine (i.e......
Oxford: B.H. Blackwell, [ca. 1919]. Decorated wrappers. Wrapper neatly split at spine and rather rubbed and chipped, internally very good. First edition. Inscribed presentation copy from Mathers to Albert Boni, who published a selection of his translations from the 1001 Nights.
Tunbridge Wells: The Pound Press, 1954. Quarto. Pictorial wrapper over stiff wrappers. First edition. One of 365 numbered copies (of 399). This copy bears Russell's early inscription to fellow poet/translator/editor, Cid Corman. A few light coffee stains to the front wrapper, else a very good or better copy.
Ann Arbor: Univ. of Michigan Press, [1967]. Quarto. Decorated boards. Illustrations by Paul Klee. First edition of this translation. Fine in near fine dust jacket. This was one of Snodgrass's own copies, with his blindstamp in the upper forecorner of the title.
Edinburgh: The Tragara Press, 1986. Small quarto. Plain wrappers, printed label.Upper corner bumped, but a nice copy. First edition thus, edited, with notes and bibliography, by Bruce Morris. An unnumbered "proof" copy, so designated by the printer/publisher, and bearing his presentation inscription to bookseller George Sims.
London: Faber, 1964. Cloth. First British edition. John Heath- Stubbs' copy with his bookplate. Publisher's review slip laid in, marked "with Compliments of the Author." Fine in somewhat edge- darkened dust jacket.
