![Set of Eight Studio Lobby Cards for:] A FINE MADNESS. Elliott Baker, sourcework, screenwriter](/pictures/thumb/WRCLIT70586.jpg?v=1593712463)
[Burbank]: Warner Bros. 1966. Complete set of color pictorial lobby cards, 11 x 14". Some smudging at upper and lower margins of card #1 and a crease to lower right margin, scattered occasional pinholes and offsetting to versos, else very good. A complete set of the lobby cards issued to.....
![Group of Five Lobby Cards for:] A FINE MADNESS. Elliott Baker, sourcework, screenwriter](/pictures/thumb/WRCLIT70587.jpg?v=1593712463)
[Burbank]: Warner Bros. 1966. Five full color pictorial lobby cards, 11 x 14". Numbers 1, 2, 4, 5, and 8. Slight offsetting to left margins of 5 & 8, else near fine. A partial set of the lobby cards issued to promote the film adaptation by Baker of his own.....
[Np]: Columbia Pictures, 1965. Three volumes. Quarto. Bradbound in production company or studio wrappers. Three drafts of the novelist's adaptation to the screen of Schisgal's play (released in 1967, starring Jack Lemmon and Peter Falk, directed by Cliv Donner), as follow: a) Second draft. [1],134 leaves, reproduced on rectos only.....
New York: G.P. Putnam's Sons, [ 1964]. Printed blue wrappers. Advance reading copy of the author's first book. A fine, unread copy.
New York: G.P. Putnam's Sons, [ 1964]. Printed blue wrappers. Advance reading copy of the author's first book. Somewhat used, with spots at edges and creases, but with Richard Wilbur's ownership signature on the front wrapper.
New York: Putnam, [ 1968]. Cloth. First edition, second novel. Fine in very faintly rubbed black dust jacket.
Los Angeles: Robert Stigwood Organization, 23 - 30 June 1975. [1],102 leaves (altered by lettered inserts). Quarto. Mechanically reproduced typescript, printed on rectos only of a rainbow of colored stocks. Bradbound in titled wrappers. Leaves on white stock toward end show a marginal discoloration, others unaffected, ms. query on one.....
