New York. April 1920. LXVIII:4 Printed wrappers. Plates. A near fine copy. The first appearance of Crane's poem (his first periodical appearance for which he was paid), in company with Stephens, Moore, Barnes, L. Powys, Yeats ("A People's Theatre"), Wilson, Cowley, et al.
New York. February 1929. LXXXVI:2. Printed wrappers. Plates. A fine copy. The first appearance of Crane's pencil portrait of his friend, in company with contributions by Burke, Kunitz, Strong, Eglinton, Morand, Mortimer, et al.
![A TRAVELLER'S GUIDE TO LITERARY EUROPE VOLUME TWO [Great Britain & Ireland]. Margaret Crosland, ed](/pictures/thumb/WRCLIT80997.jpg?v=1593712915)
London: Hugh Evelyn, [1966]. Cloth-textured boards. A very good copy in dust jacket with laminate lifting and peeling. Patricia Ledward does England, Nevil Braybrooke does London, Patrick Byrne does Ireland, Fred Urquhart does Scotland, and Davis Rees does Scotland.
New York: Dutton, [1982]. Cloth and boards. Second edition (first published in 1967 and here reprinted for no reason explicable to those seriously concerned with the master). About fine in dust jacket.
Dublin: Printed for the publishers, The Cadenus Press, 1972. Half calf and marbled boards, lettered in gilt. Fine, without printed dust jacket, as issued. First edition. One of two hundred numbered copies, designed by Liam Miller, and printed by hand. Although the imprint does not appear within, of the ten.....
New York: The Typophiles, 1974. Printed wrappers. Illustrations and facsimiles. Preface by Michael B. Yeats. First edition, U.S. issue (one of 500 copies in wrappers published under this imprint, printed at the Dolmen Press). A very good copy.
Sewanee: The Sewanee Review, 1945. Printed cream wrappers. Large octavo. First edition of this modestly early separate publication by Devlin, issued as a supplement to the April 1945 issue of the Review. Upper wrapper a bit soiled and slightly rumpled at top edge, else very good.
New York: Reynal & Hitchcock, [ 1946]. Cloth. First edition of the author's first U.S. book publication. Some darkening at edges of cloth, otherwise a very good copy in spine and edge-tanned dust jacket.
[Dublin: Dolmen Press, 1974]. Quarto. Calf-backed boards, t.e.g. Illustrations by Anne Yeats. Pencil erasure from corner of half-title, otherwise fine. First edition, published as Peppercanister 5. One of 124 numbered copies on handmade paper, signed by Kinsella and Yeats. Another 26 lettered copies were specially bound.
Dublin: Published by The Cadenus Press, 1979. Half calf and marbled boards, lettered in gilt. Frontis. Spine ends a bit rubbed, otherwise near fine, without printed dust jacket, as issued. First this edition, limited issue. Edited by Christopher Murray, and inscribed and signed by him "... with enduring admiration ....".....
Dublin: The Cuala Press, 1934. Linen-backed boards, paper spine label. Phoenix pressmark in red on title. Label nicked, minor foxing to first signature, slight tanning, very good. With the John Farleigh bookplate of William Maxwell, and residue of two tipped-in shelf labels, on the front pastedown. First edition. One of.....
[New York]: Viking, [1986]. Cloth textured boards. Photographs. First edition, U.S. issue, bound up from sheets printed in the UK. Fine in dust jacket.
New York & London: W. W. Norton, [1990]. Printed wrappers. Illustrated. Uncorrected page proofs of the first US edition. Fine, with promo sheet laid in.
Paris: Olympia Press/Traveller's Companion Series No.7, [ 1955]. Printed wrappers. Minor rubbing at tips, small nick at tip of lower joint, otherwise a near fine copy. First edition of the author's first book. Selected by the board of the Modern Library as one of the 100 Best 20th Century Novels.....
Boston: Houghton Mifflin / Seymour Lawrence, 1994. Large octavo. Cloth and boards. First edition. Near fine in dust jacket.
[ New York]: Viking, [ 1986]. Cloth boards. Photographs. First edition, U.S. issue, bound up from sheets printed in the UK. Pencil name, very good in dust jacket.
New York: Delacorte / Seymour Lawrence, 1971. Cloth. First edition. Bookplate on pastedown, otherwise fine in good dust jacket with creased tear in front panel at lower spine corner.
London: Macgibbon & Kee, [ 1961]. Cloth boards. First U.K. edition. Paper-clip marks to front endsheets, otherwise fine in good, somewhat shelf-worn and price-clipped dust jacket. Laid in is a program for a U.S. production at the Orpheum.
New York: Knopf, 1990. Cloth and boards. Photographs. First edition. Inscribed by the author "with admiration and affection," and signed (first name only). Fine in near fine dust jacket.
New York: Alfred A. Knopf, 1986. Large octavo. Cloth and boards. First edition. Fine in dust jacket with small crease at lower edge.
Churchtown: The Cuala Press, 1913. Linen-backed printed cream boards, spine lettered in black. Title-page woodcut pressmark "Lady Emer and tree" by Elinor Monsell. Light foxing at upper board toward top of spine, several signatures exhibit some foxing, but a very good copy, with the Jack Butler Yeats bookplate of the.....
Raheny, and later, Killiney, Co. Dublin. July/August 1962 and Autumn 1964. I:4 and III:3. Two issues. Printed wrappers. Plates (in III:3). Very good or better. Edited by Bruce Arnold, and later by Rivers Carew and Timothy Brownlow. Initially a bimonthly, then published quarterly. First published in November 1961, and in.....
Dundrum: The Dun Emer Press, 1906. Linen and boards. Crown of spine a bit frayed, some darkening to binding, 1907 ownership signature (initials), few small nicks at edges of boards, still a good copy. First edition. Although not stated, 200 copies were printed. Six poems appear here for the first.....
[ London & Dingle]: Anvil Press Poetry / Brandon, [ 1985]. Printed wrappers. First edition, wrappers issue. Lower wrapper with a band of tanning and a label removal abrasion, some minor edgewear, but a good, sound copy. Davitt, Hartnett, MacGreevy, Ni Dhomhnaill, et al.
Mill Valley: Wings Press, 1952. Cloth. First edition. Ink date on rear pastedown, else a nice copy in very good dust jacket.
