London & Boston: J. M. Dent & Co / Copeland & Day, 1897. 12mo. Limp vellum, lettered in gilt, t.e.g., others untrimmed. First edition of this translation. Vellum a bit bowed, with small nicks at yap fore-edges, mild tanning; just a good copy.
Syracuse: Syracuse Univ. Press, [1958]. 12mo. Gilt cloth, paper label. Introduction by Donald P. Bean. Facsimiles printed on intentionally foxed paper. First edition, ordinary issue. Near fine, without dust jacket, as issued.
London: The Egoist Press Ltd., [ 1916]. Printed self wrappers. First edition, issued as the fourth number in the Poets' Translation Series. Upper self-wrapper dust soiled, with minute ink name; spine partly split at fold, else an about good copy. Kerhsaw dates this 1915; Ridler dates it 1916, the latter.....
London: Chatto & Windus, 1931. Gilt cloth. One corner bumped, spine a bit rubbed at edges, but a good, bright copy. First British trade edition. Inscribed by Aldington: "Eunice [Black] from Richard."
London: Chatto & Windus, 1930. Cloth and boards, t.e.g. Slight tanning along top edges of boards, otherwise near fine. First edition, limited issue. Copy #27 of 260 numbered copies, specially printed and bound, and signed by the author.
London: Chatto & Windus, 1930. Cloth and boards, t.e.g. Slight flecking to cloth sizing, otherwise very good or better. First edition, limited issue. Copy #185 of 260 numbered copies, specially printed and bound, and signed by the author.
London & New York: Routledge/Dutton, [1923]. Cloth, leather spine label. First edition, first binding. Some darkening to white cloth spine, ink inscription on pastedown, otherwise a very good copy.
London: Chatto & Windus, 1930. Gilt cloth. First collective UK edition (preceded by the separate pamphlet printings and the US edition of 1921). Some foxing early and late, otherwise very good in lightly worn, price-clipped dust jacket. Not in Kershaw.
London: The Egoist, 1919. Printed wrapper over stiff paper wrappers. Later issue of the Aldington translation (originally published in 1915), but the first to be conjoined with the Sappho translation by Storer. Poets Translation Series, II:2. Ink gift inscription, cover slightly soiled, a few nicks, else good or better.
[New York]: New Directions, 1977. 222pp. Cloth. Fine in price-clipped dust jacket. First US issue, printed and bound in Edinburgh. Edited, translated, and with an introduction, by Donald MacAulay. Bilingual anthology in Gaelic and English, printing works by Sorley MacLean, George Campbell Hall, Derick Thomson, Iain Crichton Smith, and MacAulay.....
London: Methuen, [ 1947]. Plain wrappers. Uncorrected "first proof" of the first edition, with ms. revisions on prelims reflecting format changes, etc. Some damp marking to lower edges and wrappers, lower portion of front wrapper torn away; just a good copy, used for in-house purposes.
Chicago: Pascal Covici, 1927. Quarto. Blue cloth, elaborately stamped and lettered in gilt, t.e.g., others untrimmed. Pictorial frontis. Boards and extremities with some light to moderate wear, each inner hinge with a 3cm to 6cm split; perhaps better than a good copy. First edition of this translation. One of 730.....
Chicago: Pascal Covici, 1927. Quarto. Blue cloth, elaborately stamped and lettered in gilt, t.e.g., others untrimmed. Frontis. Some slight rubbing at edges, else a very good or better copy with original dust jacket fragments laid in. First edition of this translation. One of 730 numbered copies (of a total edition.....
Boston: Godine, [1976]. Cloth. Frontis. First U.S. edition. Small strip of cloth faded along bottom edge, else very good in dust jacket with minor damp rippling to upper panel and a soft crease and a couple of short closed tears to top edge.
New York: Cheshire House, 1931. Quarto. Parchment and boards. One of 895 copies. Bookplate. A good copy.
New York: Cheshire House, 1931. Quarto. Gilt parchment and boards. t.e.g. First edition of this translation. One of 895 copies. Near fine, with prospectus laid in, in lightly rubbed and dusty slipcase.
New York: Cheshire House, 1931. Quarto. Parchment and boards. One of 895 copies. Thumb-tip size smudge at top of lower board, otherwise very good or better, without slipcase.
[Barrytown, NY]: Station Hill, [1985]. Stiff wrappers. First edition of this translation, wrapperbound issue. UK price label on rear wrapper, one fore-tip bumped, otherwise very near fine.
[Weston, CT]: LIVING HAND 2, Winter 1974. Printed wrappers. Some small spots to lower wrapper and fore-edge, otherwise about fine. First edition of these translations. One of one thousand copies (of 1100), this being an unnumbered, out of series copy. Signed by Auster, who co-edited this issue, on the title-page.....
[Forest Knolls, CA]. Summer 1975. Pictorial wrappers. Fine. Auster contributed translations of three works by Jacques Dupin.
[Port Townsend, WA]: Copper Canyon Press, [2000]. Pictorial wrappers. Fine. Uncorrected page proofs of the first edition. Edited and translated by John Balaban. English translations are printed alongside modern Vietnamese and the calligraphic Nom writing system from the 18th century.
London: Heinemann, [1943]. Large, thin octavo. Gilt lettered buckram. Offset to free endsheets from pastedowns, that in the front serving as well as the half- title, few minor smudges and brown-spots to cloth and occasionally in margins, but a very good copy. First edition. One of 250 numbered copies for.....
New York: Mitchell Kennerley, 1911. Brown cloth, t.e.g. Frontis in gravure after a portrait of Barker by Alvin Langdon Coburn. First U.S. edition. Ink gift inscription, lower corners bumped, extremities lightly rubbed, otherwise a very good copy.
London: Heinemann, 1924. Small octavo. Quarter parchment and gilt boards. First edition, limited issue. One of 375 numbered copies printed on Japan vellum, specially bound and signed by the translator. Fine in near fine dust jacket with small chip near crown of spine. The tail of the author's signature extends.....
Dublin & London: Dolmen Press / Calder & Boyars, [1972]. Large octavo. Parchment and boards. Fine in near fine dust jacket (a bit wavy due to jacket protector). First edition in book form, trade issue. Apollinaire's French text appears parallel with Beckett's translation, originally published in TRANSITION 50.
